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“My personal beliefs were shaped more by experience and by watching the news when I was young: images of angelic-looking college students in Mississippi crying like the world was ending because black people were being allowed on their campus; the slow mounting horror of Vietnam on the evening news every night; sitting with my parents in front of the TV and being appalled at the way the Chicago police were treating the protesters during the '68 Democratic convention. Being eyed with suspicion because of my age and the way I wore my hair.”

“Two weeks after the arrested I was on the phone with my wife and we said a prayer and I was crying and just so happy, I can't even explain it. It was euphoric. People said I went from freedom my whole life to prison, but in reality, I went from imprisonment and bondage of sin and death my whole life, to finding freedom in a prison cell.”

“Prostitutes have feelings; they are very human. They hurt, bleed cry and laugh just like you and me. To the people that want to legalize prostitution: Let me ask you a question. If you want to legalize it, would you now let your daughter/niece/grand daughter/sister do this? Why not sign them up for what you want legalized? And if not, WHY not? Does it make them too human for you now?”

“Everybody has a home team: It's the people you call when you get a flat tire or when something terrible happens. It's the people who, near or far, know everything that's wrong with you and love you anyways. These are the ones who tell you their secrets, who get themselves a glass of water without asking when they're at your house. These are the people who cry when you cry. These are your people, your middle-of-the-night, no-matter-what people.”

“If I've been hurt, I'm not one of those people who can hide it or bury it deep within. I give myself time to work through it, cry, journal, pray, call my best friends. Then I try to take a step back and get perspective. I try to remind myself of all the positive things in my life and do my best to let it go.”

“Then one day my sister abandoned me at the 1939 World's Fair, and that incident is the essence of In the Night Kitchen. I was standing there with hundreds of other people waving back at the little midgets dressed like bakers when I turned around and my sister was gone! The next thing I know I'm screaming and crying and policemen are taking me to a big place with tons of kids who had all been abandoned like me. At least I was old enough to give them a name and an address.”

“I've never seen Barack Obama as a progressive, just someone a bit more centrist, and not as right leaning as Hillary Clinton. Obama may make friends with a lot of K street lobbyists. The progressive blogosphere may be able to raise enough of a cry to persuade him that he doesn't need them, that he can get by with a few million people on the net financially supporting him.”

“The way people are responding to [Moonlight movie] is something we never anticipated. We knew it was good but it is so diverse. The way people are reacting shows me that everyone sees themselves in it. That is groundbreaking. Similarly people come up some older people that it is not their story but are just crying in our arms after a screening. They know what it was like to be bullied or struggled with their own identity trying to figure out who they are. It has really caught people's imaginations.”

“Usually the beginning of a story that people hear a lot. For example, "My girlfriend is upset about her new haircut" or "My dad keeps losing his car keys." And then I just think of different ways the story could end. "My girlfriend is upset about her new haircut. I don't understand why she's crying. I'm the one who has to get a new girlfriend." Then I try it out on stage. I don't do a lot of re-writing. My jokes either work or they don't. The trick is just to write a ton of jokes.”

“On some level students are essentially the same. They are people with fears and dreams. They laugh and cry over many of the same things. They share an essential humanity as young people always have.hey differ in some significant ways now, too, I believe. They are forced to grapple with complex issues at a much younger age.”

“When I turned 50, I threw myself a big birthday party, and I looked seriously at what my life has been about. I recommend this to everybody. Ask yourself, "What have I done? How did I do it? Where'd I mess up? Where did I do well?" When I did this assessment of my life, I said to myself, "It was really good." I made a lot of people laugh, made a lot of people cry in a good way, brought a lot of joy to people, picked up a lot of garbage. And in all those years, I saw a lot. I went to foreign lands. I met interesting people. And I got it!”

“You see so many beautiful things happening in this world, and you see so many things that make you want to cry and crawl under a rock. But there's an underlying feeling of magic and mystery in everything that I live for. I feel like all of my art is trying to get people to see that underlying, subtle energy that lives within everything that we see and what we don't see in this world.”

“We live in a time when people are afraid of beauty, because beauty passes; you can't hang on to it. And even if you see something or someone beautiful, the next time you hear it, it sounds different. So you can't cling to beauty; beauty passes and when that passes, you realize you pass too, and you will die. And that's why people cry at a beautiful view, a beautiful lecture, a beautiful painting, a new baby.”

“People of relatively low intelligence can be morally wonderful if they desire the right and the good (not necessarily under the description "right" or "good"). Their low intelligence sometimes results in their accidentally doing something wrong, but doing something wrong out of low intelligence alone is like stepping on a person's foot because you are (literally) blind or missing a cry for help because you are (literally) deaf. We do not judge the blind or deaf person as morally bad.”

“LATE will always be the most important song to me. I used to struggle to perform it live without getting upset but have performed it a lot now, which has really helped. Very often it makes people in the audience cry, and that means so much to me that they can relate to the emotions in the song. It was actually a really easy song to write, I wrote most of it in one day... it sort of flowed out of me. I was never good with dealing with emotion, so I think I kind of needed to write it!”

“Being sociopath is not what most people would consider to be winning. Most of us have some kind of positive goal in mind when we think of winning. A sociopath thinks in terms of successfully manipulating someone into doing something that he or she would not have done otherwise. That can be a small thing or a tremendous thing, but the point for the sociopath is to win, to make sure that this person does what they're trying to coerce him or her into doing. It can be as disgusting and as simple as making a child cry. Or it can be as complex as making your wife feel bad about herself.”

“I was 19 years when I got into acting training classes at a TV station and then I found a way to express my feelings. My father left us when I was a kid and I just shut down all of my emotions. I wasn't talkative; I didn't know how to communicate with people. I tried to separate from people. After I got into the classes I found a way of expressing myself through characters. I can cry behind a character, I can shout behind a character and it became a relief. And it's fun.”