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One Thing Quotes

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One Thing Quotes

“The television reports gave me my first inkling of a world beyond my own, a world that wasn't fair or equal, a world of poverty, war, disease and famine. But I also realized that this state of affairs wasn't necessarily a given, and that we have it in our power to make a difference, to make the world a better place for all. We have that choice. One thing's for sure, though - if we do nothing, it will be a given.”

“But people turn on their televisions. They turn on their televisions and they see what's happening in Iraq. The American people are not stupid. And the one thing they understand, they understand how incredibly mismanaged and bungled this war has been by the civilians in this administration. And - I mean, you can't paper over that, any more than you can paper over Katrina.”

“Making a programme that appears to condone a positive stereotype actually enforces all the negative ones as well. It says that they all have a valid point. To assert that Americans are naive, Germans humourless and the French arrogant is one thing: they're big enough to take it. But to say that there's a conspiracy of Jewish bankers, that gypsies are thieves, Pakistanis are dirty and refugees are muggers is something quite else.”

“From a writing standpoint, maybe television is a little more satisfying because it's not all hinging on one thing. You can experiment, week to week, and you can be a little narrower in your scope one week, and then be a little broader the next week. But with film, everything can look the way you want it to look. You can really sculpt the final product. So from a directorial standpoint, film is more satisfying. But, they're both forms of media that I'd like to keep involvement in.”

“One thing about everything that I've done is it's so diverse and all over the place, from doing crazy stunts that I can't believe that I've done to launching professional skateboard leagues to all types of different business stuff and television shows. To me, I'm real proud of the body of work, that I've done as opposed to one thing specifically.”

“I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another.”

“I guess it really didn't even dawn on me that you could be a rock critic as a job until I was maybe almost out of college. I knew criticism existed. I read Rolling Stone and Spin. Siskel and Ebert were on television. But I had absolutely no idea how to get that kind of life. And moreover, it didn't interest me that much. I just sort of read normal books growing up. I wasn't that media-conscious. I felt like the one thing I was able to do was to listen to a record and decide whether I liked it.”

“Let's be clear about what people never say about Playboy on television. It was nothing more than an instrument for onanism. That's what it was. And the Internet co-opted that industry of self- gratification. There is no necessity for lonely men or teenagers to use Playboy. It turns out no one bought that magazine for the articles ever; it was used for only one thing.”

“One thing that is very different technically is that you don't get a lot of coverage in television. Not like you do on a film. I know we don't have time for separate set-ups, so I will design a scene where I'm hiding multiple cameras within that set-up. That way, if I don't have time to do five set-ups, I can do four cameras in one set-up. It's a different kind of approach for that. For the most part, a lot of television, in a visual sense, lacks time for the atmosphere and putting you in a place.”