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Taste Quotes

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Taste Quotes

“Ultimately, it comes down to taste. It comes down to trying to expose yourself to the best things that humans have done and then try to bring those things into what you're doing. Picasso had a saying: good artists copy, great artists steal. And we have always been shameless about stealing great ideas, and I think part of what made the Macintosh great was that the people working on it were musicians and poets and artists and zoologists and historians who also happened to be the best computer scientists in the world.”

“Never lie to a child about doctors or medicine or anything else; but if you feel, as some people seem to feel, that life without lying is an impossibility, at least don't lie about the amount of pain likely to result from a surgical procedure, or about the taste of some medicine. If you know that something to be done will hurt, say so; if a mixture to be swallowed is unpleasant, say so. If you deceive a child once in such matters, do not imagine that it will trust you again. You do not deserve trust, and you will not get it.”

“TV taste is an aftertaste. Whatever gets on the tube is always a foregone conclusion, a fait accompli. That is, any new ideas or social changes have already been fought for in the real world of the streets, or in the bedroom or even the law courts long before they reach the screen. By the time you see it on prime time, it's usually all over and done with, whatever it was. Television by definition is not avant garde. It is often reactionary and always sentimental.”

“As a child I was a good boy. Even if I wasn't playing tennis I don't think I'd have done things like smoking or getting drunk. I'm lucky I never liked the taste of alcohol - I know, I'm Scottish so what's wrong with me? - but I never even liked the smell of the stuff. It's the same with smoking, it never appealed to me. I guess I missed out on my Kevin-The-Teenager phase.”

“If Robert Heinlein is more to your taste than George Lucas: “If you are part of a society that votes, then do so. There may be no candidates and no measures you want to vote for, but there are certain to be ones you want to vote against.” That’s certainly true of me. Over my lifetime, the Republican Party has done far more to repulse me than the Democratic Party has done to appeal to me. But the result in the voting booth would be about the same either way.”

“So much of what I am doing in my fiction is just trying to get into interesting places in terms of language or form, places that don't bore me. And this happens via hundreds of quick micro-decisions that are done "to taste," so to speak. So the experience is one of groping toward that interesting place - trying to leap away from anything that seems boring, or about which I don't have strong opinions. Essentially trying to avoid that moment where, devoid of any strong feeling, I start conceptualizing.”

“There was a time when my taste in music was mainstream, for example - people like Jimi Hendrix - who I really based a lot of my inspiration on, was the most popular entertainer of his day. He was really number one. And bands like Led Zeppelin, The Beatles are really number one bands. But those days are very much done. I can't say that if I listen to the number one artist now that I get excited.”

“Long ago, when I was a very young girl, I said that I wanted to go everywhere, see everything, taste everything. hear everything, touch everything, try everything before I died. There isn't anything you can name that a woman can do that I haven't done. I don't intend to stand by and be a spectator. I want to be right in there in the midst of it, right up to my nose - totally involved in the community, in the world, in the stream of history, in the human image.”

“I feel that for years of teaching in the country and reading criticism in books, I feel like the things most needed in our culture are the understanding of the meanings of our music. We haven't done that good of job teaching our kids what our music means or how we developed our taste in music that reminds us and teaches us who we are.”

“It seems to me, that this, too, is how memory works. What we remember of what was done to us shapes our view, molds us, sets our stance. But what we remember is past, it no longer exists, and yet we hold on to it, live by it, surrender so much control to it. What do we become when we put down the scripts written by history and memory, when each person before us can be seen free of the cultural or personal narrative we've inherited or devised? When we, ourselves, can taste that freedom.”