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Taste Quotes

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Taste Quotes

“A fine lady; by which term I wish to express the result of that perfect education in taste and manner, down to every gesture, which heaven forbid that I, professing to be a poet, should undervalue. It is beautiful, and therefore I welcome it in the name of the author of all beauty. I value it so highly that I would fain see it extend not merely from Belgravia to the tradesman's villa, but thence, as I believe it one day will, to the laborer's hovel and the needlewoman's garret.”

“I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste.”

“I grew up in a household where the FryDaddy was always bubbling, and butter and salt were never in short supply. I've never been one to choose the healthy option over the non-healthy option if the healthy option was lacking in taste. I believe a little bad is good for you from time to time. When it comes to maintaining a healthy soul, nothing beats traveling.”

“I don't believe in failure. I believe every setback is an opportunity to learn, regroup, get stronger, and try again. This is my motto: Rejection is God's protection. When people feel that they have failed, it's usually because somebody or something caused them to feel that way and taste defeat. I refuse to dwell on that. Yes, it sucks at first, and the feeling is valid, but it all happens for a reason. Let go.”

“We die containing a richness of lovers and tribes, tastes we have swallowed, bodies we have plunged into and swum up as if rivers of wisdom, characters we have climbed into as if trees, fears we have hidden in as if caves. I wish for all this to be marked on by body when I am dead. I believe in such cartography - to be marked by nature, not just to label ourselves on a map like the names of rich men and women on buildings. We are communal histories, communal books. We are not owned or monogamous in our taste or experience.”

“As readers, we remain in the nursery stage so long as we cannot distinguish between taste and judgment, so long, that is, as the only possible verdicts we can pass on a book are two: this I like; this I don't like. For an adult reader, the possible verdicts are five: I can see this is good and I like it; I can see this is good but I don't like it; I can see this is good and, though at present I don't like it, I believe that with perseverance I shall come to like it; I can see that this is trash but I like it; I can see that this is trash and I don't like it.”