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Theater Quotes

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Theater Quotes

“The only thing that really inspired me for singing was the movie and musical 'Phantom of the Opera.' I went to see it in the theaters, and I loved it so much. And when I got home, I started singing the songs around the house, and my mom thought I was really good, so she asked me if I wanted to do a talent competition. And I said, 'Yes, definitely.'”

“We're trying to get as many people to become interested in seeing it, but if you like the theater and you're interested in seeing what live theater looks like in New York, you probably already set your DVR. It's gonna be a hard ask to get a bunch of college-basketball fans to tune in for three hours to watch the Tonys.”

“Now, as far as monitoring is concerned, what my point is, we need to make sure that any place - I don't care whether it's a mosque, a school, a supermarket, a theater, you know it doesn't matter. If there are a lot of people getting there and engaging in radicalizing activities then we need to be suspicious of it.”

“The churches had left me cold, but I thought there's got to be a God. I remember going out, this is in Charleston, South Carolina, and my desire then was to be a playwright, and I was studying theater, and I went out one night, late at night, and I asked, "What can God be if there is a God?" I wasn't sure there was a God, but if there is a God, what must he be? Well, he can't be a judge, who's up there just waiting for us to make a mistake so he can clap us into hell. There's got to be something more than that.”

“America's gun culture demonstrates itself in the Wild West, Dirty Harry mentality of people who actually believe that if a number of people were armed in the theater in Aurora, they would have been able to take down this nutjob in body armor and military style artillery. When in fact almost every policeman in the country would tell you that that would have only increased the tragedy and added to the carnage.”

“It's all about special effects and explosions now. It leaves me just cold when I walk out of the theater. There's no heart; there's no soul. Movies used to be about people. It's as though we don't tell stories any more. The studios have to make money, and if you want to make $20 million, you have to spend $200 million.”

“But then foreign critics right away made sweeping comparisons to haiku, noh theater, and directors like Ozu, as if the movie were somehow representative of Japan - which was, well, not what I was after. Similarly, with After Life, I deliberately set out to make a movie that was unlike what I imagined the foreign conception of Japan to be, and I figured non-Japanese wouldn't find it interesting at all.”

“I've been acting since I was a little kid. It was my escape from my day which had to do with a father leaving, and a mother not being home, and her struggling and doing her best and all that. But it wasn't fun. I would go into theater class. If she were a stay-at-home mom, I wouldn't have that discomfort inside that kept me pushing.”

“You know, like, there's songs like "Valerie" and "Bang Bang Bang" that I was so proud of. And, you know, the level of success that they had - if they were little cult hits meant that, you know, I could sellout Webster Hall or Williamsburg Musical Hall or the El Rey theater in LA. Like, that was having made it to me. So the thought of having a number one song in my own career, like, never even registered.”

“Watching shows on Netflix is a different experience because most people are sitting there for three to five hours. Very few people even watch one episode. So it's not like a movie theater where you want to the movies to be shorter so you can go urinate. You can pause and urinate at home, and if something is longer, you're allowed to stop and eat breakfast and then watch eight more episodes.”

“Sitting in the movie theater watching "Star Wars," I've never had an experience with any form of entertainment that was like that. It was almost spiritual. I couldn't believe that someone's mind created that. And, right, it felt like George Lucas had a piano that was playing my emotions, and he could go ahead and do whatever he wanted and make me lean forward if he wanted, or he could make me go oh, or he could make me hide my face.”

“I lived right on the borderline of a black neighborhood. So I could go into the black area and then there'd be these ghetto theaters that you could actually see the new kung fu movie or the new blaxploitation movie or the new horror film or whatever. And then there was also, if you went just a little further away, there was actually a little art house cinema. So I could actually see, you know, French movies or Italian movies, when they came out.”

“Theater for me is terrifying but much more rewarding, because you know what they're seeing. Film is all little bits and pieces. And you can do an amazing job, but if the camera isn't getting it, it doesn't work. And then other times when you feel you really weren't present, and then you see it and somehow it works. So there's a mystery, there's a strange collaboration that takes place with everybody.”

“Those same people, when they leave the theater, when they look behind the curtains they are curious about their neighbors, they can guess if their neighbors are siblings or a couple, how old they are, what their occupation is. They are curious about each other and they can understand each other without being fed information. Why should it be different in cinema?”

“I grew up doing theater when I was very young - always enjoyed it. Studied it in college, got my degree in it, and never really had the guts to do it professionally. But one summer, a friend of mine was with an extras agency and asked me if I wanted to be an extra with him in a movie, and I was, like, "Sure." At lunch, the writer came up to me and asked me to audition for a role. I got it, and it sort of snowballed from there.”

“One of my unsung heroes is Erich Mendelsohn. I met him when I was a student and he was a cranky old man and very unpleasant. But if you go to his Einstein Tower in Potsdam, Germany you see an enormous intellect at work with a language that was personal and new. It has a sense of urban design and of theater and procession I hadn't seen before.”

“There was a kind of cultural life in New York that wasn't as solidified as it is now, it wasn't as money-driven. If you look at the size of the successful art galleries compared to the size of galleries now - there was no such thing as the Gagosian Gallery or Pace Gallery. But it was a time when magazines were a vital part of American life, and Esquire gave me a free pass to every world - I could get to the art world, the theater world, the movie world. It allowed you to roam through the cultural life of New York City.”

“Nowadays the movies that people are going to see in the theaters are the big-event movies, like Spider-Man or something, or they're 25-year-old models who are vampires, or they're very broad comedies, or they're standard action movies. So if you're going to work for a studio and do a movie for the budget that the movie needs, those are the kinds of movies you'll be in.”

“If I had my brothers I think with just a little bit of the correct marketing, I'd like to be almost exclusively in small theaters. You know, to me it's like a church for music. You can sit down and really give yourself to the performance and be comfortable with good surroundings and a clean, quiet atmosphere.”

“It is something more fleeting than what you normally see. People might somehow take it into their own dreams, into their own life, in a way. I hear it more recently; people are telling me that when they leave the theater and see one of my films, they are not alone anymore. It's probably more that kind of feeling. If I managed to do a film like that, everything is fine.”

“So it was a really pleasant surprise when [Independence Day] turned out to be a successful film. I don't know if you've heard that they're going to be re-releasing it next Fourth of July in 3-D. I've actually only seen it once, and it was in Hawaii, in a little theater in Oahu shortly after it was released. But Roland Emmerich is a really smart guy, and he makes really fun movies to watch.”