“You're forced to step into that performer role. I can't just hide behind a synthesizer forever.” Quote by Nicholas Thorburn
“Everybody now who's playing in Unicorn band is deeply schooled in music. I'm the only one who's self-taught, which I think is a bit hilarious because I'm leading the band and writing the songs, but I'm surrounded by such overwhelmingly competent musicians.” ThinkingWritingSongMusicianUnicorn Author:Nicholas Thorburn
“I made silk screens of my drawings. I could add a drawing that was made with a machine or digitally to a drawing that was made by hand. What I love is that you can't tell how they're made. For some reason, fooling the eye really excites me.” ReasonEyeLove Is Author:Amy Sillman
“I'm in this process of trying to create a free space. Like an open field, where figure and ground are in very ambivalent, complex relationships. On top of that, I also wanted to see if I could try to blurt something out, or make something completely immediate, that ends up fitting perfectly.” TryingFitting Author:Amy Sillman
“I've never read a book on shape. I've read books on gesture; I've read tons of books on color, surface, field, ground, representation, abstraction. But I've never read a book on what a shape is.” BookRepresentation Author:Amy Sillman
“A lot of what I do in my work is taking a thing and either washing it off, scraping it, covering it, scraping it and then washing it, turning it upside down. Making it somehow blind.” BlindUpside Down Author:Amy Sillman
“At some point, I get a weird feeling, and that's when I know it's done. I probably ruin a lot of really perfectly fine things. So part of working on paper, and trying to work really fast, is to see if I can expand the area of not being driven by taste. Not saying, "This looks good, I'll stop."” TryingDoneFeelingsDriven Author:Amy Sillman
“I want to expand the question of when something is done. I want to vex the ending. I want to mess around with that. I like the idea that if you make a work that has no clear ending, then you must play with the ending. Because if you don't, you're not highlighting the weird, lovely openness of abstraction.” DoneLovelyMessOpenness Author:Amy Sillman
“All accidents and experiments, and discoveries, are what my work is about. The problem that I have as an artist is being way too critical.” ProblemArtist Author:Amy Sillman
“I make paintings really slowly because I change them and change them and change them and change them and change them. I don't really know how to not do that. I'm not very free in a way. Even though it looks free. But it's not.” Painting Author:Amy Sillman