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Quote by Gourav Mohanty

“Resentment festers in a place where the unfortunate, the illiterate are forced to ogle at the wonderful lives of the other side. But this is what the Unni Ehtral desired. To garden a place where these unfortunates simmer in hate, and the fortunate marinate in fear.”

Quote by Gourav Mohanty

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Dance of Shadows

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Gourav Mohanty

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“Town-planning," Geddes once wrote, "is not mere place-planning, nor even work-planning. If it is to be successful it must be folk-planning. This means that its task is . . . to find the right places for each sort of people; places where they will really flourish." These places, of course, are not really to be found, but have to be made. From his earliest designs for a botanical school garden and urban renewal work in Edinburgh to his latest building initiatives in Montpelier in southern France, Geddes pursued the creation of such places. He perceived himself as a gardener ordering the environment for the benefit of life.”

“Divided up into squares and corralled by the multi-lane highways were groups of multi-storey car parks, office buildings and department stores with small shops, cinemas, petrol stations and gleaming chrome snack bars on the ground floors. Many years earlier, when this city plan was being implemented, critical voices had been raised to say that the system would make the city inhuman and uninhabitable. The experts had brushed off the criticism. They argued that a modern city should be built not for pedestrians and horse-drawn carriages but for cars. As on so many other issues, both sides had subsequently been proved right.”

“Another famous town planning concept, the Finger Plan for Copenhagen, was based on a metaphor sand shown by a diagram, of a great hand resting over that city. Since 1947, the great hand has guided Copenhagen’s development. The merchant’s harbour, after which the city was named, sits in the palm of the guiding hand. Fingers point ways to new development. Power lines, telecom lines, and rapid transit lines follow the bones, arteries, veins and nerves of the fingers. Between those fingers we find the green lands of Denmark. Copenhagen was made into a garden city but the hand itself, of urban development, was grey.”

“El propio observador debe desempeñar un papel activo al percibir el mundo y tener una participación creadora en la elaboración de su imagen. Debe contar con el poder de cambiar esa imagen para adaptarse a necesidades cambiantes. Un medio ambiente que está ordenado en forma detallada y definitiva puede impedir que aparezcan nuevas pautas de actividad. Un paisaje en el que cada una de las rocas narra una historia puede hacer difícil la creación de nuevas historias. Aunque ésta pueda no parecer una cuestión decisiva en nuestro actual caos urbano, indica, con todo, que lo que buscamos no es un orden definitivo sino abierto a las posibilidades, capaz de un ininterrumpido desarrollo ulterior.”

“To us, the high-resounding “isms” to which our contemporaries ask; us to give our allegiance, now, in 1948, are all equally futile: bound to be betrayed, defeated, and finally rejected by men at large, if containing anything really noble; bound to enjoy, for the time being, some sort of noisy success; if sufficiently vulgar, pretentious and soul-killing to appeal to the growing number of mechanically conditioned slaves that crawl about our planet, posing as free men; all destined to prove, ultimately, of no avail.”

“Already God existed only in the desperate attempt to prove his existence. It is the same today with human beings, whose existence we attempt desperately to verify by the very means that make it improbable. Feminism, populism, humanism: all words with the suffix '-ism' are the caricature of their root. Of women, of the people, of the human. Including terrorism: the caricature of terror?”