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Quote by Piers Anthony

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A Spell for Chameleon (Original Edition)

In this original edition, the novel delves into the adventures of a young individual who learns to transform into various creatures. The narrative is set in a richly imagined world where magic is a part of everyday life, and the protagonist's journey is filled with challenges and self-discovery. more

Author

Piers Anthony
Piers Anthony

Piers Anthony, born on August 6, 1934, is a renowned science fiction author from the United States. Known for his unique style and rich imagination, his works have won the hearts of many readers. more

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“There is no doubt that even the greatest musical geniuses have sometimes worked without inspiration. This guest (inspiration) does not always respond to the first invitation. We must always work, and a self-respecting artist must not fold his hands on the pretext that he is not in the mood. If we wait for the mood, without endeavouring to meet it half-way, we easily become indolent and apathetic. We must be patient, and believe that inspiration will come to those who can master their disinclination.”

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“Yeah,” Nicole said, her straw noisily hitting the bottom of her Gut Buster. “Well, I would have appreciated it if you guys had wrecked a little less stuff. Because my house smelled like smoke for months. And construction on the Tarantinos’ new garage starts at eight on the dot every morning, and it’s still going on, and you know how I get if I don’t have my full ten hours of beauty sleep.” “So that’s what happened to your face,” Cody said. “I was wondering.”

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“Your eyes have turned as black as a Crow’s,” she blurted out. He didn’t even blink over her bizarre comment. “Not this time, Christina,” he said in a furious whisper. “Compliments won’t get me off balance again, my little temptress. I swear to God, if you ever again dismiss me so casually, I’m going to––” “Oh, it wasn’t a compliment,” Christina interrupted, letting him see her irritation. “How presumptuous of you to think it was. The Crow is our enemy.”

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“The Three of them were beautiful, in the way all girls of that age are beautiful. It can't be helped, that sort of beauty, nor can it be conserved; it's a freshness, a plumpness of the cells, that's unearned and temporary, and that nothing can replicate. None of them was satisfied with it, however; already they were making attempts to alter themselves into some impossible, imaginary mould, plucking and pencilling away at their faces. I didn't blame them, having done the same once myself.”

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“We'll choose knowledge no matter what, we'll maim ourselves in the process, we'll stick our hands into the flames for it if necessary. Curiosity is not our only motive; love or grief or despair or hatred is what drives us on. We'll spy relentlessly on the dead; we'll open their letters, we'll read their journals, we'll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us--who've left us holding the bag, which is often a good deal emptier than we'd supposed.”

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