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The Road to You

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Marilyn Brant

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“That is the definition of truth, it is the thing you must not say. “The miracle into which the child and the poet walk” [Tsvetaeva] as if walking home, and home is there…The thing that is both known and unknown, this is what we are looking for when we write. We go toward the most unknown and the best unknown, this is what we are looking for when we write. We go toward the best known unknown thing, where knowing and not knowing touch, where we hope we will know what is unknown. Where we hope we will not be afraid of understanding the incomprehensible, facing invisible, hearing the inaudible, thinking the unthinkable, which is of course: thinking. Thinking is trying to think the unthinkable: thinking the thinkable is not worth the effort. Painting is trying to paint what you cannot paint and writing is writing what you cannot know before you have written: it is preknowing and not knowing, blindly, with words. It occurs at the point where blindness and light meet. Kafka says—one very small line lost in his writing—“to the depths, to the depths.”

WritingHomeTruthDepths
Book:Three Steps on the Ladder of Writing
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“Mi cuarto esta oscuro, y Etienne envuelve sus brazos a mi alrededor. Escuchamos a la cantante de ópera en un silencio tranquilo. Estoy sorprendida por lo mucho que extrañare Francia. Atlanta fue casa por casi diesiocho años e incluso cuando solo he estado en Paris por los últimos nueve meses, me ha cambiado. Tengo una ciudad entera que conocer el año que viene pero no estoy asustada. Porqué tenía razón. Para nosotros dos, casa no es un lugar. Es una persona. Y finalmente estamos en casa.”

HomeAnna And The French KissAnna OliphantEtienne St Clair
Author:Stephanie Perkins
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