Quotessence
Home / Quotes / Quote by Ally Hilfiger

Quote by Ally Hilfiger

“I'm able to fight for myself, I'm able to speak up and feel like I have a voice, and I can be my own advocate and my own warrior.”

Quote by Ally Hilfiger

Author

Ally Hilfiger

Born on February 26, 1985, Ally Hilfiger is a television producer known for her talent and experience in the field of television program production. She has been involved in the production of several popular television shows. more

You May Also Like

“I try to get my subconscious to puke out as much stuff as I can because I'm really not judging myself while making music. If I crave a frequency in the mid, I'll just drag in a sound and try to mold it into what feels right. It happens very quickly. And if I've been making a piece of music for five hours and it sucks, I'll just throw it away. There has to be an entry point to learn about myself, or an idea I've never tried, because then I can try on a new skin and see the world through a different perspective. If I have that spark, then I'll save the file.”

“A few years ago, I had an interest in making things that felt more like "pieces." That was when I was making a lot of stuff that you could call beats, and it dawned on me that I could say much more nuanced, precise things if I tried to make them more composed. It sounds a bit corny, but I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.”

“There is the specter of "realism" that is still haunting Chinese contemporary art - that art is only an instrument, an instrument to reflect society, that it must be useful for society. Also, I have noticed many Western media outlets are very insistent on understanding contemporary art in China through this kind of realist approach. Sometimes I even sense that they are intent on, as we say in China, "picking bones of politics out of an egg of art." Or perhaps they see art as merely an instrument to reflect society.”

“From about age 17 to 25, a time some people describe as "beautiful youth," it was "arranged" for me to live with two different collectives. These eight years where I had absolutely no choice influenced me in two ways: firstly, I gained an understanding of "freedom." To this day, I very much respect and treasure individual choice. Secondly, I developed a suspicion towards any kind of organization, collective, movement or uniform action, as well as a rejection of any kind of power.”

“When you are a part of a world that is within an enclosed system, the biggest threat is that the loss of contact with any voice from the outside - a point of reference that is different from you - becomes habitual. The loss of this reference makes the enclosed system seem perfect. I can still feel this kind of threat today, the voice that gives legitimacy to various kinds of enclosure.”

“The subject of contemporary art should include a political dimension, the distrust contemporary art has towards the existing order. One manifestation of this distrust is the mechanical dichotomization between art's form and its political content; the other is the institutionalizing tendency of anti-institutionalization. We almost never resist ourselves - the part of ourselves that has been institutionalized. We have occupied the word "resistance" and have become its owner, while "resistance" has become our servant. Thus, we own "resistance" and occupy it as a position of power.”

“We can no longer contemplate the subject - self - of contemporary art; it has been woven into infinite relationships, replaced by social movements, national image, and financial capital. The disappearance of the construction of the self of contemporary art makes it impossible to exist in the form of a subject. The subject of contemporary art that I speak of is a kind of naming event predicated upon the multiplicity of the environment. It includes politics, should have its own way of thinking, and can be perceived.”

“The only legitimate interpretation of the concept of the "public" is that it's a highly heterogeneous group of people, and I cannot imagine who has the right to speak on their behalf using a "public" voice. If the multiplicity of the environment is its true nature, then my works defend this truthfulness. The greatest fairness in society is to defend the difference between each individual - the fairness and truthfulness of their inconsistency and differentiation.”