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Quote by Caitlin Moran

“There's something so free about being a fan and being enthusiastic about stuff - you attract all the other people who are also loving and enthusiastic when you're sending out signals of love. When you start to communicate cynicism and hatred, it leads you down a completely different path.”

Quote by Caitlin Moran

Author

Caitlin Moran
Caitlin Moran

Caitlin Moran is a British columnist, journalist, and television personality known for her humorous and candid writing style. She focuses primarily on women, gender, and pop culture. Born on April 5, 1975, Moran's works include 'How to Be a Woman' and 'Bad Feminist', which have both received widespread attention and acclaim. more

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“If you come from a working-class background, you can't afford to write full time, because you're just not being paid. Basically, all my arguments come down to Marxist doctrine: The world is shaped by money, so the only voices you'll hear are the ones with money behind them. But thankfully, culture and cool are some things that circumvent money, because if you're cool, people will want to give you money - suddenly you shape the market and people start coming to you. Which is why culture has always been a traditional way out for working-class people.”

“Culture is so much faster and so much more effective than anything else. If you go on a march, you march for a couple hours and it might be on the news that night, but if it happens culturally, it happens forever. Everywhere in the world, that TV show is being played. Someone is downloading it illegally. It's blowing someone else's mind. Culture marches so quickly, and it's a language we all understand.”

“I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.”

“Maybe certain aspects of what I was doing were reacting against what was happening or what people said, too. That's something that happens when you're starting out. After some time goes by and you get a little perspective, you realize that you don't need to react. You can just carry on with what you're doing. That took me a long time figure out; I've only gotten to that point in the last five or 10 years.”

“There are certain records from the 80s and early 90s that you love because the songs are great, but you don't go to them as an example of great production. Over the last 20 years, myself and a lot of other musicians my age have tried to discover things in 50s, 60s, and 70s recording techniques that were lost or discarded. We've all been trying to crack this code. It's been an important period in the last 15 years, reclaiming some of those lost approaches to making records.”

“I'm always looking for older equipment and ways of recording, but you can't escape the fact that it's all going to be digitized and reduced. I do think music sounds better when it's on tape and more simply recorded. I've been arguing with people for 10 years about tape versus digital, and I believe tape is absolutely essential in getting the sound that's conducive to the enjoyment of music. I wonder if it's going to go back to that. Sometimes I think it has to. As music becomes more computer-based, it's lost some emotional impact.”

“There's a different physiology happening between the sound waves and the body that doesn't happen with music playing off the computer. About five years ago, I got a turntable that hooks up to your computer, and I put the vinyl in there and I listened to it back-to-back with a CD, and it didn't even compare. But people don't have time to go track down vinyl, lower it in, all that. And they probably don't care. It's hard to make music knowing that it's not going to be received by the listener in the way that it should be.”