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“I've tried here to delineate some of the differences between science fiction and horror, science fiction and fantasy, terror and horror, horror and revulsion more by example than by definition. All of which is very well, but perhaps we ought to examine the emotion of horror a little more closely--not in terms of definition but in terms of effect. What does horror do? Why do people want to be horrified... why do they pay to be horrified? Why an Exorcist? A Jaws? An Alien? But before we talk about why people crave the effect, maybe we ought to spend a little time thinking about components--and if we do not choose to define horror itself, we can at least examine the elements and perhaps draw some conclusions from them.” — Stephen King
I've tried here to delineate some of the differences between science fiction and horror, science fiction and fantasy, terror and horror, horror and revulsion more by example than by definition. All of which is very well, but perhaps we ought to examine the emotion of horror a little more closely--not in terms of definition but in terms of effect. What does horror do? Why do people want to be horrified... why do they pay to be horrified? Why an Exorcist? A Jaws? An Alien?
But before we talk about why people crave the effect, maybe we ought to spend a little time thinking about components--and if we do not choose to define horror itself, we can at least examine the elements and perhaps draw some conclusions from them.