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Hugh MacDiarmid: Selected Poetry

This volume presents a curated selection of poems from the renowned Scottish poet Hugh MacDiarmid, offering readers a glimpse into his diverse and influential body of work. The collection includes a range of MacDiarmid's most celebrated pieces, reflecting his exploration of Scottish identity, social commentary, and poetic innovation. more

Author

Hugh MacDiarmid
Hugh MacDiarmid

Scottish poet born on August 11, 1892, and died on September 9, 1978. His poetry is characterized by a strong sense of nationalism and has had a profound impact on Scottish culture and language. more

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“There is a strange fact about the human mind, a fact that differentiates the mind sharply from the body. The body is limited in ways that the mind is not. One sign of this is that the body does not continue indefinitely to grow in strength and develop in skill and grace. By the time most people are thirty years old, their bodies are as good as they will ever be; in fact, many persons' bodies have begun to deteriorate by that time. But there is no limit to the amount of growth and development that the mind can sustain. The mind does not stop growing at any particular age.”

“A friend of mine tells me that a Beethoven symphony can solve for him a problem of conduct. I've no doubt that it does so simply by giving him a sense of the tragedy and the greatness of human destiny, which makes his personal anxieties seem small, which throws them into a new proportion.”

“Other centuries had their driving forces. What will ours have been when men look far back to it one day? Maybe it won't be the American Century, after all. Or the Russian Century or the Atomic Century. Wouldn't it be wonderful, Phil, if it turned out to be everybody's century, when people all over the world--free people--found a way to live together? I'd like to be around to see some of that, even the beginning.”

“Poetic experience is distinct in nature from mystical experience. Because poetry emanates from the free creativity of the spirit,it is from the very start oriented toward expression, and terminates in a word proffered, it wants to speak; whereas mystical because it emanates from the deepest longing of the spirit bent on knowing, tends of itself toward silence and internal fruition. Poetic experience is busy with the created world and the enigmatic and innumerable relations of existents with one another, not with the Principle of Being.”

“The division between the useful arts and the fine arts must not be understood in too absolute a manner. In the humblest work of the craftsmen, if art is there, there is a concern for beauty, through a kind of indirect repercussion that the requirements of the creativity of the spirit exercise upon the production of an object to serve human needs.”