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Quote by Estella M. Chung

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Living Artfully: At Home with Marjorie Merriweather Post

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Estella M. Chung

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“You've repainted!" Apicius said with delight as he gazed upon the intricate frescoes decorating the atrium walls. "But aren't you treading a bit on the scandalous?" He gestured at the depiction of Bacchus with his wine-bearing nymphs. I wondered the same thing myself. The cult of Bacchus was not well accepted; Caesar didn't like how rowdy the god's festivals had become. Her laughter rang through the room. "What the world needs is a good old-fashioned Bacchanalia, I say!" "Shame about that pesky little decree against them," Apicius teased. She snorted her derision. "We don't have to call it a Bacchanalia, now, do we?" Apicius laughed.”

DecorBacchanalia
Book:Feast of Sorrow
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“My love for paper floral design grew with each custom project and I’m now officially on a mission to embellished people’s lives, spaces and fabulous events!”

ArtDesignFlowerMissionDecorDiy DecoratingFloral ArrangementsDiy Wedding Decorations
Book:Bold & Beautiful Paper Flowers: More Than 50 Easy Paper Blooms and Gorgeous Arrangements You Can Make at Home
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“Slavery is such an atrocious debasement of human nature, that its very extirpation, if not performed with solicitous care, may sometimes open a source of serious evils. The unhappy man who has been treated as a brute animal, too frequently sinks beneath the common standard of the human species. The galling chains, that bind his body, do also fetter his intellectual faculties, and impair the social affections of his heart… To instruct, to advise, to qualify those, who have been restored to freedom, for the exercise and enjoyment of civil liberty… and to procure for their children an education calculated for their future situation in life; these are the great outlines of the annexed plan, which we have adopted. [For the Pennsylvania Society for Promoting the Abolition of Slavery, 1789]”

SlaveryAbolitionDebasement
Book:Writings: The Autobiography / Poor Richard’s Almanack / Bagatelles, Pamphlets, Essays & Letters
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“The cinema today: end or impossibility of ending? Most current films, through the bloody drift of their content, the weakness of their plots and their technological trumpery – useless high-tech – reveal an extraordinary contempt on the part of film-makers for the tools of their own trade, for their own profession: a supreme contempt for the image itself, which is prostituted to any special effect whatsoever; and, consequently, contempt for the viewer, who is called upon to figure as impotent voyeur of this prostitution of images, of this promiscuity of all forms beneath the alibi of violence. There is in fact no real violence in this, nothing of a theatre of cruelty, but merely a second-level irony, the knowing wink of quotation, which no longer has anything to do with cinematic culture, but derives from the resentment that culture feels towards itself, that culture which precisely cannot manage to come to an end and is becoming infinitely debased - a debasement being raised to the power of an aesthetic and spiritual commodity, bitter and obsolescent, which we consume as a 'work of art' with the same complicity with which we savour the debasement of the political class. The sabotaging of the image by the image professionals is akin to the sabotaging of the political by the politicians themselves.”

PoliticsCinemaPop CultureDebasement
Book:Fragments
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