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Quote by Ella Griffin

“Agapanthus and peonies in June. Scented stock and sweet peas in July. Sunflowers and sweet William in August. By the time September's oriental lilies and ornamental cabbages appeared, she wasn't hiding upstairs in the workroom anymore. She was spending more time in the shop, answering the phone, dealing with the customers. One Sunday she spent the afternoon at an allotment belonging to a friend of Ciara's, picking lamb's ear and dusty miller and veronica for a wedding, and didn't think about Michael once, but she kept remembering a Patrick Kavanagh poem she'd learned at school, the one about how every old man he saw reminded him of his father.”

Quote by Ella Griffin

Work

The Flower Arrangement

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Author

Ella Griffin

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“The creamy millefeuille roses had arrived from Holland yesterday and been left in the warm kitchen, where they were opening like tulle ballerina skirts. The pale pink peonies were in the coolest corner of the shop downstairs so they wouldn't go over. The wildflower man would be in at 6 a.m. to deliver the cornflowers and foxgloves. Every flower in the bouquet had a special meaning for the bride. She had known exactly what she wanted, Lara remembered, and had turned up at the shop with her own color swatches and mood boards and Pinterest links.”

“Peonies are a gift from the heavens above. I mean, just look at this flower, so big and round. The ruffled petals that look like they belong on a ball gown? Absolute perfection. That scent? It always reminds me of rose and jasmine. I sell these stems at the Sweetplace, but there's no better place for them than in a wedding bouquet, since peonies represent a happy marriage and a happy life. Mix them with some good stock in a bouquet, and well, you're kicking married life off right.”

“It was an effort formulating this summary, explaining myself. I preferred the distant past, centuries that were over and done with, ghosts that posed no direct threat. History could be milked for this cause or that. We observed it always with hindsight, projecting onto it our modern convictions and anxieties.”