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Quote by Lisa Kleypas

“Agitatedly she touched the heavy necklace at her throat, worrying the smooth emeralds between her fingers. "Give that to me," Joyce said sharply, watching her. "The necklace?" "Yes, take it off." Joyce watched as Sara unhooked the glittering treasure from her neck. "A peasant woman with a necklace fit for a queen," she sneered. "You don't have the grace or bearing to wear it properly. Give it to me." Her eager fingers wrapped around the necklace, and she snatched it away. Setting it on the seat beside her, she toyed lovingly with the web of emeralds and diamonds. "He gave me presents... a bracelet, a necklace, jeweled combs for my hair... but nothing as fine as this." She smiled at Sara tauntingly. "The day he gave me the combs, he said that he'd imagined making love to me wearing jewels in my golden hair and nothing else. He much prefers blond hair to dark, did you know that?”

Quote by Lisa Kleypas

Book:Dreaming of You
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Dreaming of You

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Lisa Kleypas
Lisa Kleypas

Lisa Kleypas, born in 1964, is a renowned American romance novel author. Her works are known for their delicate emotional descriptions and captivating storylines, which have won the hearts of numerous readers. more

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“She'd never seen a place so decorated so extravagantly. It was like a glittering underwater kingdom, reminding her of the tales of Atlantis that had enchanted her as a child. The walls were hung with gauzy blue and green silk draperies. A painted canvas studded with seashells gave the impression of a castle beneath the sea. Slowly she wandered around the room, inspecting the plaster sculptures of fish, scallop shells, and bare-breasted mermaids. A gaudy treasure chest filled with paste jewels was wedged beneath the central hazard table. The doorway to the next room had been converted into the hull of a sunken ship. Lengths of blue gauze and silver netting were hung overhead, making it seem as if they were under water.”

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“Sara was silent, all of her exuberance at being with Perry fading. She had come here to be with him, not to receive a lecture from his mother, no matter how well-intentioned. Why was Perry allowing it without a word? He was being complacent while his mother dominated their time together. Ignoring a twinge of resentment, Sara tried to steer the conversation in a new direction. "Tell me what happened in Greenwood Corners while I was away. How is old Mr. Dawson's gout?" "Much better," Martha replied. "He actually put his shoes on the other day and went for a stroll." "His niece Rachel became engaged to Johnny Chesterson the day before last," Perry added. "Oh, that's wonderful," Sara exclaimed. "The Chestersons are lucky to have such a nice girl in their family." Martha nodded primly. "Rachel is the kind of spiritual, self-effacing girl that Mr. Kingswood always hoped his son would marry. She would never dream of drawing attention to herself... as some young women do." "Are you referring to me?" Sara asked quietly. "I am making a point about Rachel." Slowly Sara set her cup and saucer on the table and looked at Perry, who had colored at his mother's rudeness. "It's a wonder you never courted such a paragon," Sara told him, smiling although her chest was tightening with anger. Martha answered for her son. "Perry was never free to court her or any other girls in the village. Someone else was always taking up his time with her demanding possessiveness." Sara felt her face turn red. "Was that you or me, I wonder?”

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“A battle between two worlds. She realised that St. Mawr drew his hot breaths in another world from Rico's, from our world. Perhaps the old Greek horses had lived in St. Mawr's world. And the old Greek heroes, even Hippolytus, had known it. With their strangely naked equine heads, and something of a snake in their way of looking round, and lifting their sensitive, dangerous muzzles, they moved in a prehistoric twilight where all things loomed phantasmagoric, all on one plane, sudden presences suddenly jutting out of the matrix. It was another world, an older, heavily potent world. And in this world the horse was swift and fierce and supreme, undominated and unsurpassed.--"Meet him half-way," Lewis said. But half-way across from our human world to that terrific equine twilight was not a small step. It was a step, she knew, that Rico could never take. She knew it. But she was prepared to sacrifice Rico.”

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“Creation destroys as it goes, throws down one tree for the rise of another. But ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror. But go on saving life, the ghastly salvation army of ideal mankind. At the same time secretly, viciously, potently undermine the natural creation, betray it with kiss after kiss, destroy it from the inside, till you have the swollen rottenness of our teeming existences.”

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“Old!" she said to herself. "I am not old! I have lived many years, that is all. But I am as timeless as an hour-glass that turns morning and night, and spills the hours of sleep one way, the hours of consciousness the other way, without itself being affected. Nothing in all my life has ever truly affected me.--I believe Cleopatra only tried the asp, as she tried her pearls in wine, to see if it would really, really have any effect on her. Nothing had ever really had any effect on her, neither Caesar nor Antony nor any of them. Never once had she really been lost, lost to herself. Then try death, see if that trick would work. If she would lose herself to herself that way.--Ah, death--!" But Mrs. Witt mistrusted death too. She felt she might pass out as a bed of asters passes out in autumn, to mere nothingness.--And something in her longed to die, at least, positively: to be folded then at last into throbbing wings of mystery, like, a hawk that goes to sleep. Not like a thing made into a parcel and put into the last rubbish-heap.”

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“And her love for her ranch turned sometimes into a certain repulsion. The underlying rat-dirt, the everlasting bristling tussle of the wild life, with the tangle and the bones strewing: Bones of horses struck by lightning, bones of dead cattle, skulls of goats with little horns: bleached, unburied bones. Then the cruel electricity of the mountains. And then, most mysterious but worst of all, the animosity of the spirit of place: the crude, half-created spirit of place, like some serpent-bird for ever attacking man, in a hatred of man's onward struggle towards further creation. The seething cauldron of lower life, seething on the very tissue of the higher life, seething the soul away, seething at the marrow. The vast and unrelenting will of the swarming lower life, working forever against man's attempt at a higher life, a further created being.”

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“Every new stroke of civilisation has cost the lives of countless brave men, who have fallen defeated by the 'dragon', in their efforts to win the apples of the Hesperides, or the fleece of gold. Fallen in their efforts to overcome the old, half-sordid savagery of the lower stages of creation, and win to the next stage. For all savagery is half sordid. And man is only himself when he is fighting on and on, to overcome the sordidness. And every civilisation, when it loses its inward vision and its cleaner energy, falls into a new sort of sordidness, more vast and more stupendous than the old savage sort. An Augean stable of metallic filth. And all the time, man has to rouse himself afresh to cleanse the new accumulations of refuse. To win from the crude, wild nature the victory and the power to make another start, and to cleanse behind him the century-deep deposits of layer upon layer of refuse: even of tin cans.”

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