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Quote by Roddy Bottum

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Roddy Bottum
Roddy Bottum

Roddy Bottum is an American musician best known for his role in the rock band The Flaming Lips. Born on July 1, 1963, he has been a part of the band since the mid-1980s, adding his distinctive voice and creative talent to the group's sound. more

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“Boost Mobile RockCorps is providing the chance and motivation to get our youth interested in volunteering. I usually hear about older people volunteering, but this movement is something new that is encouraging the youth to become involved. It's really a chance for them to come together through caring more about their community, which is so important for these kids to learn early on. I think it's crucial to instill a sense of pride in the community and this is a great way for our youth to do that.”

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“It would be inadmissible if I would vent my opinion publicly. Not only could I harm the artist concerned seriously because people have so much respect for me and believe in me because of my musical accomplishments. And I could also antagonize people against me, because everyone has his own taste. We all make music, people can choose from that what they like. Every musician likes his own music the best, man. I don't want to attack that. I don't mind criticism, I can handle it, but most people can't".”

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“I started playing guitar at the age of 8 or 9 years. Very early, and I was like already into pop music and was just trying to copy what I heard on the radio. And at a very early age I started experimenting with old tape recorders from my parents. I was 11 or 12 at that time and then when I was like 14 or 15 I had a punk band. I made all the classic rock musician's evolutions and then in the early nineties I bought my first sampler and that is how I got into electronic music, because I was able to produce it on my own. That was quite a relief.”

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“It's amazing. It's actually build from old Siemens Telefunken transistors from the 60ties. There is like 10 in there. It's the most powerful distortion you can have. It does not only do distortion, it does so many weird things. You can't control it, it's sound different all the time. But it's an endless source for fantastic sounds. For example the track "Transit" is entirely made with this box. You have to put the guitar sound in. It's like a pedal.”

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