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“Maybe we can use this Shakespearean triad of lunacy, lover and poet as a tool to propose a classification of events based on the Lacanian train of imaginary, Symbolic and Real: a lunatic dwells in the imaginary dimension, confusing reality and imagination; a lover identifies the beloved person with the absolute Thing in a symbolic short-circuit between signifier and signified which nonetheless maintains the gap that for ever separates them (the lover knows very well that, in reality, his or her beloved is an ordinary person with all his or her failures and weaknesses); a poet makes a phenomenon emerge against the background of the void of the Real.” — Slavoj Žižek
Maybe we can use this Shakespearean triad of lunacy, lover and poet as a tool to propose a classification of events based on the Lacanian train of imaginary, Symbolic and Real: a lunatic dwells in the imaginary dimension, confusing reality and imagination; a lover identifies the beloved person with the absolute Thing in a symbolic short-circuit between signifier and signified which nonetheless maintains the gap that for ever separates them (the lover knows very well that, in reality, his or her beloved is an ordinary person with all his or her failures and weaknesses); a poet makes a phenomenon emerge against the background of the void of the Real.