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“If the new building is generally recognisable as falling within a mnemotype category then that mnemotype is adjusted to accommodate the novel elements in the building. The mnemotype can be considered as a template with adjustable edges. Each new architectural experience fractionally changes our perception of the whole spectrum of architecture in much the same way that T.S. Eliot considered every new poem to change the whole corpus of poetry. However, a building which allegedly belongs to a given mnemotype, but which threatens radically to change the shape of the template, is frequently greeted with hostility and rejected as an aberration.” — Peter F. Smith
If the new building is generally recognisable as falling within a mnemotype category then that mnemotype is adjusted to accommodate the novel elements in the building. The mnemotype can be considered as a template with adjustable edges. Each new architectural experience fractionally changes our perception of the whole spectrum of architecture in much the same way that T.S. Eliot considered every new poem to change the whole corpus of poetry. However, a building which allegedly belongs to a given mnemotype, but which threatens radically to change the shape of the template, is frequently greeted with hostility and rejected as an aberration.