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Quote by Daphne du Maurier

Work

Rebecca

Daphne Du Maurier's 'Rebecca' is a psychological thriller that delves into the complex dynamics of a marriage. The story follows the new wife of Maxim de Winter, who must navigate the shadow of his first wife, the enigmatic and seemingly perfect Rebecca. Set against the backdrop of a grand English country house, the novel explores themes of jealousy, obsession, and the elusive nature of truth. more

Author

Daphne du Maurier
Daphne du Maurier

British author known for her suspense novels and romantic stories. Daphne du Maurier's works are characterized by their mysterious and supernatural elements, with her most famous novels being 'Rebecca' and 'The Turn of the Screw'. Her writing style has had a profound impact on literature. more

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“In middle age you no longer thought such thoughts about free choice. Then it came over you that from one grandfather you had inherited such and such a head of hair which looked like honey when it whitens or sugars in the jar; from another, broad thick shoulders; an oddity of speech from one uncle, and small teeth from another, and the gray eyes with darkness diffused even into the whites, and a wide-lipped mouth like a statue from Peru. Wandering races have such looks, the bones of one tribe, the skin of another. From his mother he had gotten sensitive feelings, a soft heart, a brooding nature, a tendency to be confused under pressure.”

“Family,” he began, sharply aware, even with his eyes closed, of William's drawn attention, “is the garden that grows you before you realize you are growing. It is the dirt and the sun and the air, and you take root where you can, even if all you have is stone and shade. And if that first planting does not take, we try again.” He blinked, found William's eyes on him, their green and brown as dark as deep water in the gathering night. “In a different garden, we try again.”

“What makes people good communicators is, in essence, an ability not to be fazed by the more problematic or offbeat aspects of their own characters. They can contemplate their anger, their sexuality, and their unpopular, awkward, or unfashionable opinions without losing confidence or collapsing into self-disgust. They can speak clearly because they have managed to develop a priceless sense of their own acceptability. They like themselves well enough to believe that they are worthy of, and can win, the goodwill of others if only they have the wherewithal to present themselves with the right degree of patience and imagination. As children, these good communicators must have been blessed with caregivers who knew how to love their charges without demanding that every last thing about them be agreeable and perfect. Such parents would have been able to live with the idea that their offspring might sometimes—for a while, at least—be odd, violent, angry, mean, peculiar, or sad, and yet still deserve a place within the circle of familial love.”