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Quote by Danielle Dutton

“Finding the form was really a very dynamic process. I went through a lot of shifting, trying to get it right. Because the writing took place over such a long time, it's hard for me to pinpoint when specific things happened, but basically the final version only materialized in the last two or so years. It was there, but it took me a while to see it and then to refine it after I'd seen it.”

Quote by Danielle Dutton

Author

Danielle Dutton

Danielle Dutton is a contemporary writer born in 1975. Her works span various literary forms including novels, poetry, and essays, and she is known for her unique narrative style and profound thematic explorations. more

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“I sense people expect something to show for ten years. But I do feel like it is dense. Some of my own favorite books are slim, but there's a lot of weight and power in them.”

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Author:Danielle Dutton

“Back then, when I had that original idea to write about the seventeenth century, the whole thing was set in 1666. I was thinking of Margaret near the end of her life, and that was the voice I heard for her.”

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Author:Danielle Dutton

“But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.”

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Author:Danielle Dutton

“The reason the middle section switches to third person is, well, this is middle age. This is the part in her life where she loses track of something that was driving her and has to figure out what's going to drive the next part of her mission, this mission to be an author. I had to push back away from her for a while before we could come up to that really lyrical close third in the final section.”

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Author:Danielle Dutton

“The way I've talked about my research process is that it was like magpies. I was just sort of moving through all these books and when something shiny would pop out I'd be like, Ooh, I love it! and I'd pluck it out. It's fun to figure out how to use those bits you really love - like I'd read about gold shoes with cork heels. Obviously, Margaret would have to wear those shoes.”

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Author:Danielle Dutton

“I had all these sparkles I'd collected and wanted to work in, but when I originally started writing it and it was originally this novel about all these people set in 1666, what I was so interested in was the New Science.”

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Author:Danielle Dutton

“I was obsessed with the scientific instruments people were building and all the weird experiments they were doing. I did actually wind up working in some of that, but there were whole sections I'd written about these instruments that ultimately had to be abandoned when I realized that the book really was about Margaret Cavendish. I couldn't justify using all of them.”

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Author:Danielle Dutton

“I was sad to see some of them go. Like a magic lantern that would project images on walls and people would travel the countryside with these magic lanterns and tell stories. And there was this cabinet that you would walk up to and it had a little peephole and inside the whole thing was covered in thousands of little mirrors.”

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“There was a stage inside it and a crank on the outside that would rotate something, like a tiny tree carved of cork, onto the stage, and then the thousands of little mirrors would multiply that one tree so that the viewer would see an infinite forest instead.”

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“I was trying to focus on Margaret's trajectory as an artist, as a woman and an artist. Hopefully Cavendish experts won't be angry at me for anything I've left out. I feel like all the major movements of her life are there.”

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Author:Danielle Dutton