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“The negative has to be done on an A and B [roll] so you don't see the cuts, the splices on the frameline.” — Gaspar Noe
The negative has to be done on an A and B [roll] so you don't see the cuts, the splices on the frameline.
“The negative has to be done on an A and B [roll] so you don't see the cuts, the splices on the frameline.” — Gaspar Noe