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“I suppose my attitude toward the creative process is much like that of Alexandre Dumas pere when he was approached by a young aspirant who boasted that he was going to write a novel much better than either “The Three Musketeers” or “The Count of Monte Cristo”. ‘Have you an attractive setting?’ the veteran writer asked politely, and the young man replied: ‘The greatest! Ominous islands. Gleaming castles. Wooded glens with gracious mansions.’ ‘Have you interesting characters?’ ‘Kings and princesses and dubious cardinals.’ ‘But have you a logical plot to tie this together?’ ‘A most ingenious one. Twists and turns that will bewilder and delight.’ Said Dumas: ‘Young man, you’re in excellent shape. Now all you need are two hundred thousand words, and they’d better be all the right ones.’” —Chapter IX, “Intellectual Equipment”, pages 311-312” — James A. Michener

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I suppose my attitude toward the creative process is much like that of Alexandre Dumas pere when he was approached by a young aspirant who boasted that he was going to write a novel much better than either “The Three Musketeers” or “The Count of Monte Cristo”. ‘Have you an attractive setting?’ the veteran writer asked politely, and the young man replied: ‘The greatest! Ominous islands. Gleaming castles. Wooded glens with gracious mansions.’ ‘Have you interesting characters?’ ‘Kings and princesses and dubious cardinals.’ ‘But have you a logical plot to tie this together?’ ‘A most ingenious one. Twists and turns that will bewilder and delight.’ Said Dumas: ‘Young man, you’re in excellent shape. Now all you need are two hundred thousand words, and they’d better be all the right ones.’” —Chapter IX, “Intellectual Equipment”, pages 311-312
— James A. Michener