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Quote by Oswald Spengler

Work

The decline of the West

This seminal work delves into the complexities of Western society, analyzing various aspects such as political, economic, and social dynamics that have shaped its trajectory. The author presents a critical evaluation of the strengths and weaknesses of Western civilization, offering a nuanced perspective on its future. more

Author

Oswald Spengler
Oswald Spengler

Oswald Spengler was a German philosopher and historian, born on May 29, 1880, and died on May 8, 1936. He is best known for his work 'The Decline of the West', which proposed a theory of cultural cycles, suggesting that civilizations and cultures follow a cycle of growth, maturity, and decline. more

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“Man makes history; woman is history. The reproduction of the species is feminine: it runs steadily and quietly through all species, animal or human, through all short-lived cultures. It is primary, unchanging, everlasting, maternal, plantlike, and cultureless. If we look back we find that it is synonymous with life itself.”

“Talk of world peace is heard today only among the white peoples, and not among the much more numerous coloured races. This is a perilous state of affairs. When individual thinkers and idealists talk of peace, as they have done since time immemorial, the effect is negligible. But when whole peoples become pacifistic it is a symptom of senility. Strong and unspent races are not pacifistic. To adopt such a position is to abandon the future, for the pacifist ideal is a terminal condition that is contrary to the basic facts of existence. As long as man continues to evolve, there will be wars.”

“In place of a world, there is a city, a point, in which the whole life of broad regions is collecting while the rest dries up. In place of a type-true people, born of and grown on the soil, there is a new sort of nomad, cohering unstably in fluid masses, the parasitical city dweller, traditionless, utterly matter-of-fact, religionless, clever, unfruitful, deeply contemptuous of the countryman and especially that highest form of countryman, the country gentleman.”

“It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.”