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“This is why the gradual erosion of the significance of the Incarnation over the last centuries (to the point to which the whole idea of it appears to some to be virtually superfluous where Christian doctrine is concerned) has meant the erosion of the true significance of man as artist. Man has lost his sense of his role as mediator between God and the world; he has lost his sense that the forms of his art should mirror the divine and that unless his work possesses this sacramental quality it will be as vacuous and ugly as most of the articles which now surround our daily lives, public and private. A social order which deprives man and his practices of their sacramental quality is already dead, no matter what frenetic activity it may appear to manifest.” — Philip Sherrard

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This is why the gradual erosion of the significance of the Incarnation over the last centuries (to the point to which the whole idea of it appears to some to be virtually superfluous where Christian doctrine is concerned) has meant the erosion of the true significance of man as artist. Man has lost his sense of his role as mediator between God and the world; he has lost his sense that the forms of his art should mirror the divine and that unless his work possesses this sacramental quality it will be as vacuous and ugly as most of the articles which now surround our daily lives, public and private. A social order which deprives man and his practices of their sacramental quality is already dead, no matter what frenetic activity it may appear to manifest.
— Philip Sherrard