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Quote by Tanith Lee

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Heart-Beast

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Tanith Lee
Tanith Lee

Tanith Lee (September 19, 1947 – May 24, 2015) was a British writer of fantasy, science fiction, and horror. Known for her vivid imagination, lyrical prose, and subversive reinterpretations of traditional genres, she often blended mythology, Gothic elements, and feminist perspectives. Her notable works include the 'Flat Earth' series and 'The Silver Metal Lover'. She won multiple awards, including the World Fantasy Award and British Fantasy Award. Over her career, she authored more than 90 novels and 300 short stories, leaving a lasting impact on speculative fiction. more

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“Today men profess to respect her. Some men give up their chairs to her and pick up her handkerchiefs, others recognize her right to occupy any post at all- administrative, executive- any at all. That is what they profess, but their attitude towards her remains the same. She is a means of enjoyment. Her body is a means of giving pleasure. And she is aware of this. It is a form of slavery.”

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Book:The Kreutzer Sonata
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“Let us now remind ourselves that the artist is also a man, and as a man responsible for all that his will consents to; "in order that a man may make right use of his art, he needs to have a virtue which will rectify his appetite." The man is responsible directly, as a murderer for example by intent if he intends to manufacture adulterated food, or drugs in excess of medical requirement; responsible as a promoter of loose living if he exhibits a pornographic picture, (by which we mean of course something essentially salacious, preserving the distinction of “obscene” from “erotic”); responsible spiritually if he is a sentimentalist or pseudo-mystic. It is a mistake to suppose that in former ages the artist’s “freedom” could have been arbitrarily denied by an external agency; it is much rather a plain and unalterable fact that the artist as such is not a free man. As artist he is morally irresponsible, indeed; but who can assert that he is an artist and not also a man? The artist can be separated from the man in logic and for purposes of understanding; but actually, the artist can only be divorced from his humanity by what is called a disintegration of personality. The doctrine of art for art's sake implies precisely such a sacrifice of humanity to art, of the whole to the part. It is significant that at the same time that individualistic tendencies are recognizable in the sphere of culture, in the other sphere of business and in the interest of profit most men are denied the opportunity of artistic operation altogether, or can function as responsible artists only in hours of leisure when they can pursue a “hobby” or play games. What shall it profit a man to be politically free if he must be either the slave of “art,” or slave of “business”?”

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Book:Christian & Oriental Philosophy of Art Formerly: "Why Exhibit Works of Art?"
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“Mahomed has often been mocked for peopling his paradise with desirable women, and inviting us to long for their caresses. But surely he was responding to a natural and healthy instinct, which finds in the contemplation of a beautiful body, not only the stimulus to desire, but also the satisfaction of a deeper yearning. We yearn, in fact, to justify the human body, to give grounds for our feeling that this is God's image. And in this yearning is expressed our real knowledge that we are our bodies and that they are we.”

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Book:Sexual Desire: A Philosophical Investigation
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“Even if the fantasy can be overcome so far as to engage in the act of love with another, a peculiar danger remains. The other becomes veiled in substitutes; he is never fully himself in the act of love; it is never clearly him that I desire, or him that I possess, but always rather a composite object, a universal body, of which he is but one among a potential infinity of instances. Fantasy fills our thoughts with a sense of the obscene, and the orgasm becomes, not the possession of another, but the expenditure of energy on his depersonalised body. Fantasies are private property, which I can dispose according to my will, with no answerability to the other whom I abuse through them. He, indeed, is of no intrinsic interest to me, and serves merely as my opportunity for self-regarding pleasure. For the fantasist, the ideal partner is indeed the prostitute, who, because she can be purchased, solves at once the moral problem presented by the presence of another at the scene of sexual release.”

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Book:Sexual Desire: A Philosophical Investigation
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