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“Looking back on my life, I’d say I am grateful to my two sons for having brought me up. It could not have been easy—for them or for their father. For me it was a “Poetry Workshop,” a way of doing poetry by another means (in no sense a continuation of Iowa)—as well as the sort of upbringing I never got from my mother. As luck would have it, I had a poet, a classical poet, for a mother. She didn’t write free verse; she wrote poetry until the last years of her life in the classical Chinese style. So a lot of work was done for me—when you imbibe Tang and Sung poets with a mother who chanted verses on the balcony in the moonlight.” — Wong May
Looking back on my life, I’d say I am grateful to my two sons for having brought me up. It could not have been easy—for them or for their father. For me it was a “Poetry Workshop,” a way of doing poetry by another means (in no sense a continuation of Iowa)—as well as the sort of upbringing I never got from my mother.
As luck would have it, I had a poet, a classical poet, for a mother. She didn’t write free verse; she wrote poetry until the last years of her life in the classical Chinese style. So a lot of work was done for me—when you imbibe Tang and Sung poets with a mother who chanted verses on the balcony in the moonlight.