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Quote by Roger Deakins

“To me if there's an achievement to lighting and photography in a film it's because nothing stands out, it all works as a piece. And you feel that these actors are in this situation and the audience is not thrown by a pretty picture or by bad lighting.”

Quote by Roger Deakins

Author

Roger Deakins is an internationally renowned cinematographer known for his unique visual style and masterful use of light and shadow. Since entering the film industry in 1975, he has participated in many classic films, such as 'The Shawshank Redemption', 'Blade Runner 2049', and '1917', bringing visual震撼 to audiences. more

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“There's nothing worse than an ostentatious shot or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something. But it's not necessarily right for the film — you jump out, you think about the surface, and you don't stay in there with the characters and the story.”

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“I am not a fan of having too much gear.”

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“I thought that was a pretty stupid argument, really, because it's the final product that matters. The look of the film, however it's done, is still the cinematographer's vision in my mind. People said the same when color film came in, didn't they? The world evolves, and image-making evolves.”

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“Someone said to me, early on in film school... if you can photograph the human face you can photograph anything, because that is the most difficult and most interesting thing to photograph.”

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“The balance of the frame - the way an actor is relating to the space in the frame - is the most important factor in helping the audience feel what the character is thinking.”

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“Maybe that sounds a bit pretentious, but I think life experience is always more important than technical knowledge.”

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“Am I nostalgic for film? … I mean, it’s had a good run, hasn’t it? You know, I’m not nostalgic for a technology. I’m nostalgic for the kind of films that used to be made that aren’t being made now.”

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“Every shot I have ever made has been a compromise in some way. No image has ever been as good as the one I envisioned in my mind's eye.”

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“I think of filmmaking as a form of communication. Maybe it's also an art, but that's for somebody else to decide.”

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“All I’ve ever wanted to do is take stills of people, or take documentaries about people, and try to express to an audience how somebody lives next door. You know what I mean? Just how similar we all are as individuals.”

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