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Quote by Maria Dahvana Headley

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The Mere Wife

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Author

Maria Dahvana Headley
Maria Dahvana Headley

Maria Dahvana Headley, born on June 21, 1977, is an accomplished American novelist known for her unique imagination, profound themes, and rich narrative techniques. Her works have gained popularity among readers. more

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“I've heard of more ways to die in this war than I knew there were corpses. I've heard there isn't a battle where both sides don't shoot their own men -- sometimes on purpose and sometimes for mercy, but most of the time by mistake. I've heard boys on both sides are killing themselves, so they don't burn or smother or drown or starve, or pass whatever they're dying of to others. I've heard about guerrillas and murders and firing squads. I've reached the point where I don't know if anyone ever just dies from the other side's bullets.”

WarDeathSuicideKillingCivil WarDeath And DyingSoldiersUnionConfederateFriendly Fire
Book:Sherman's March
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“Ogni volta che camminava sentiva di lasciarsi alle spalle se stesso, e nel consegnarsi al movimento delle strade, riducendosi a un occhio che vede, eludeva l’obbligo di pensare; e questo, più di qualsiasi altra cosa, gli donava una scheggia di pace, un salutare vuoto interiore. Il mondo era fuori di lui, gli stava intorno e davanti, e la velocità del suo continuo cambiamento gli rendeva impossibile soffermarsi troppo su qualunque cosa. Paul Auster, Trilogia di New York”

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Book:City of Glass: Graphic Novel
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“Enough already of Lacan, Derrida, and Foucault poured like ketchup over everything. Lacan: the French fog machine; a grey-flannel worry-bone for toothless academic pups; a twerpy, cape-twirling Dracula dragging his flocking stooges to the crypt. Lacan is a Freud T-shirt shrunk down to the teeny-weeny Saussure torso. The entire school of Saussure, inluding Levi-Strauss, write their muffled prose of people with cotton wool wrapped around their heads; they're like walking Q-tips. Derrida: a Gloomy Gus one-trick pony, stuck on a rhetorical trope already available in the varied armory of New Criticism. Derrida's method: masturbating without pleasure. It's a birdbrain game for birdseed stakes. Neo-Foucaldian New Historicism: a high-wax bowling alley where you score points just by knockng down the pins.”

Poststructuralism
Book:Sex, Art, and American Culture: Essays
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“Now, in the academy, you cannot just say anything about male theory. You have to proceed with an immanent critique, that is to say, you have to expertly play the parts against the whole. You show, for example, how certain assumptions in the work actually defeat its stated purpose of human liberation, but once remedied, i.e. salvaged, the theory will work for women. An immanent critique can stay within the masculinist academic circle. In this position women become the technicians of male theory who have to reprogram the machine, turning it from a war machine against women into a gentler, kinder war machine, killing us softly. This is a very involving task and after years of playing this part it is understandable that there may be little desire to admit that the effort was virtually futile. An investment has been made, and the conformity is not wholly outer. What attitudes and feelings does this sexist context produce towards oppositional women who refuse this male material? Does a male-circled woman have the power and security to be generous? Having compromised her freedom, will she be less willing to compromise ours? Perhaps the most pernicious aspect of this arrangement, besides the ways it sets women against one another, is the fact that although the male academy values owning our freedom, it does not have to pay a lot for it. Masculine culture already controls gross amounts of female lives. Still, it seems to want more, but always at the same low price. The exploited are very affordable.”

FeminismAcademiaPostmodernismPoststructuralism
Author:Somer Brodribb
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