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Quote by Gordon Quinn

“None of our films look alike, we are very dialectical in our approach to each one, and 'Hoop Dreams' was no exception. That's what I love about documentary filmmaking, we never know where the story is going, we don't know what is going to happen next, and we're inside a culture of people that you have to figure out in many ways. It's a relationship between what you thought might have been the story, and what happens in the 'field.' Out of that comes the story, which was exactly what happened with 'Hoop Dreams.'”

Quote by Gordon Quinn

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Gordon Quinn
Gordon Quinn

Gordon Quinn, born in 1942, is an accomplished film director known for his profound social insight and unique narrative style. His works have had a significant impact on the independent film movement. more

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“'Hoop Dreams'was an unbelievable struggle. We were trying to raise money in the midst of shooting it, and just explaining to people took a lot of effort. I remember talking to someone who should have gotten it, this person was in Public Television, and they didn't think we had a story, until 'maybe something bad happens to one of the boys.' Besides being somewhat heartless, it was also wrong.”

“What makes 'Hoop Dreams' such a powerful film, is that it carries a message that maybe we can do something about our problems in America, reflected in the resiliency and strength of those families that we portrayed. The film was where we really saw the characters that we care about, interwoven with a analysis that is trying to help the audience understand what is happening in these people's lives. And in what is happening, there is an understanding of the larger power relationships in the world.”

“'Hoop Dreams' brought us back to our roots in veríté filmmaking. What we saw in the powerful emotional scenes within it - at nearly three hours long and with no star power - was an outreach to a different and more important audiences. There were the similarly involved folks who saw it that were part of the struggle, but there was also a new audience that weren't empathetic or sympathetic to the people we were portraying. They would never watch a film about inner city families, but they watched 'Hoop Dreams.'”

“Barack Obama thinks this country is a crime. Obama thinks this country is a walking, living crime, the way it's treated poor people, minorities and so forth, and he wants to get even, he wants to get even with all those people that have engaged in this theft, discrimination, racism and be and so forth, he also wants to create a permanent underclass for the express purpose of making sure he's never out of office or the regime's party is never out of office.”

“Our country, our economy - don't doubt me on this - our economy is based on capitalism. Barack Obama's stated reason for being inspired by Reverend Wright was his speech, 'White man's greed runs a world in need.' That inspired Obama, 'White man's greed runs a world in need.' That's the real American dream. Working hard you will get ahead. But you can't have that if you want to create a permanent underclass. You simply cannot have people getting ahead. It destroys the whole notion of a permanent underclass.”

“The left, led by the news media, has been telling us practically from the day that Donald Trump announced his candidacy that he would be a complete disaster, particularly in foreign affairs and foreign relations around the world, and even more particularly in the Middle East. And, instead, we see the rave reception that President Trump is getting everywhere he is going, the profound respect.”

“Building places that are worth living in and worth caring about require a certain attention to detail, and of a particular kind of detail that we have forgotten how to design and assemble. And that involves the relationship of the buildings to each other, the relationship of the buildings to the public space, which in America, comes mostly in the form of the street. Because it's only the exceptional places in America that have the village square or the New England green. You know. The street is mostly the public realm of America. And we have to design these things so that they reward us.”