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Quote by Bradford Cox

“Usually I'm not really conscious of what's going on. I don't have a lot of memories onstage. At all.”

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Bradford Cox, born on May 15, 1982, is an accomplished American singer known for his unique musical style and profound lyrics. He is a prominent figure in the independent music scene. more

“The first thing I think I ever played in public, aside from singing in church, would have been - and this is a true story - when I was about nine or 10 years old, I was obsessed with Twin Peaks. I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.”

People Thinking Song Church Singing Obsessed Twins Heartbreaking True Story

Author:Bradford Cox

“We didn't have MTV, and I was desperate for something. You know, you're young, you want something off the beaten path. And Twin Peaks was like, surrealism on network TV.”

Path Desperate Twins Surrealism

Author:Bradford Cox

“I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.”

People Kids School Opportunity Audience Grateful Glad Pretending Diverse Public School Disrespectful

Author:Bradford Cox

“I think teenagers just don't have the persistence to pretend to like something they don't anymore. I used to do that - make myself like stuff that didn't immediately appeal to me. When you're 17 and checking out John Cage records from the library. It's not like it's got the hooks of a Ramones record, or a Beach Boys record. But at the same time, you're like, I know there's something in here that I'm supposed to understand. And then eventually you find it.”

Thinking Boys Library Teenager Beach Persistence Hook Ramones

Author:Bradford Cox

“Sometimes I'll write a song first and then I'm like, "Oh this person will be great on this song." But there are some artists I know what want, like off the top I knew I wanted Brandy and Faith Evans. Their music is like the soundtrack to my life, so it was a personal thing for me. So once they said yes, I wrote songs specifically for them.”

Writing Sometimes Artist Song Music Is Brandy

Author:Robert Glasper

“There's not much radio in the UK, really. In America, you're in a car, factory, wherever, and you turn the dial on the radio, and can hear about a million stations. Hardly any in England.”

Car

Author:Nick Hodgson

“I'm a Syd Barrett fan, and early Pink Floyd, and then about two things from the rest of their career. I don't like them, really. I mean, I like the psychedelic stuff. I listen to the first albums, and even on those, they go off and off and off. Songs that are 20 minutes long. I don't like long songs.”

Mean Long Song Psychedelic

Author:Nick Hodgson

“For the most part, 99 percent of jazz is boring; you've heard it before. People aren't doing anything creative that's extremely modern. They tend to always be like "Let's do a tribute to Miles Davis!" All the new albums are tributes to history. It becomes too much at a certain point, it leaves us waving like "Hello? I'm alive, I'm here!" You know? So I really do feel like it needs some spice, it needs to be relevant to today's times, today's people, today's sound.”

People Creative Modern Jazz Boring Relevant Hello Tribute

Author:Robert Glasper

“Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.”

People Trying Song Creative Dying Jazz Be Creative

Author:Robert Glasper

Quote by Bradford Cox

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