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Quote by Eberhard Weber

“The problem is that I don't want to add another record to the world that is not necessary to be published, except to make some business. There has to be a musical reason.”

Quote by Eberhard Weber

Author

Eberhard Weber, born on January 22, 1940, is a renowned German bassist. He is highly respected in the fields of jazz and free improvisation music, known for his unique playing style and rich musical contributions. more

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“I am a classical music lover - not necessarily the contemporary stuff, but the old stuff.”

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“On the other hand, when I give it closer thought, I realize I'm not enough of a dictator to conduct an orchestra because it requires a pretty awful person. When you read these biographies of famous conductors, they are all awful people who fail in their private relationships.”

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“In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to support them.”

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“Whenever I release a record, it's my record. It's not a selfish thought. I may work all year 'round for other people. So, finally, when I come out with my own album, it should be me with the creative help of other musicians.”

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“When I started to pick up the bass, it was purely by random chance.”

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“As a result, I had to get my own playground which was my band Colours. This band lasted for about eight years and then the air was out of it and it was time to finish.”

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“If there is a good musical reason, I think it might draw more attention and sell, though it is not guaranteed. To make a record without a musical reason, you have to either be a pop star who sells automatically or just be lucky.”

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“I realized pretty soon that I have to do more than just play bass in the background way. So, I developed a kind of playing which only a handful of musicians accepted.”

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“It's better to finish at the peak or soon after it, than to wait until the audience notices a decline.”

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“When I think back now to the recording sessions, there is more improvisation than one hears. It's an ideal combination of arrangements and improvisation. Only a few people are able to listen and say what is composed and what is improvised. It's a unit.”

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