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Quote by Jacques Audiard

“Something that I tell myself every morning when I wake up is like: "Think it over, take the time to think it over." I don't like spontaneity, there you go. I'm wary of it.”

Quote by Jacques Audiard

Author

Jacques Audiard
Jacques Audiard

Jacques Audiard is a French film director known for his profound character portrayals and unique narrative style. His films often focus on the lives of marginalized individuals, showcasing their struggles and inner turmoil. more

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“I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.”

“Fashion has been collected and exhibited for many years. People were picking up clothing of famous individuals, like Marie Antoinette's shoe or Napoleon's hat. That part of the resistance to having fashion in museums had to do with it being associated with femininity, and with the female body. Yet, as early as the 18th century, some people were recognizing that just as you collected art, you, might think about collecting fashion for museums, because it would provide insight into the way people thought about their lives and, and the way they envisioned themselves.”

“Fashion museums think the more you know about the significance of clothes culturally, the more interesting they are. We certainly don't neglect the aesthetic aspects of clothes. But, I feel that what sets us apart from social, economic, and even aesthetic, or art historical context is that we are not only talking about clothes as kind of art objects created by an artist designer, but also we're talking about the various meanings that clothes have in the world, and how that changes and how we kind of create meanings around clothes.”

“Sculpture, for me, provides that environmental discipline where you actually move in and around it. And if you have a good collaboration with an architect, to combine those aspects of color - I'm talking about color becoming a form within the building - that is a very different approach. I love contemporary architecture, which makes collaboration more interesting-and you have to be able to collaborate. It's like making a film, in a way: Everyone is a part of the team.”