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Quote by Stephen Daldry

“If I wanted to work financially, I would have made a series of different choices. I do get offered lots of movies which you could make a lot of money out of. And I always say, 'Why would I do that, when someone else could do it much better than me? Why would I want to do an action picture? Why?”

Quote by Stephen Daldry

Author

Stephen Daldry is a British director renowned for his exceptional contributions to the fields of theater and film. Born on May 2, 1960, he has gained international recognition since the 1990s. Daldry is known for his profound insight into complex themes and his masterful guidance of actors. more

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“Is it appropriate still for a German to have a gun? I only use that as an example of a country that's still deeply involved and engaged in the conversations about how to come to terms with the past. Certainly for that country, it's not forgotten.”

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“It's disingenuous to say that criticism doesn't get to you or you don't hear it or that you ignore it. When everybody says, 'That's crap. I hated that,' you hear it. But it's much, much worse when they're right: when you feel that it is an absolute piece of tosh. I made the film I wanted to make, so you just have to find a way of getting over it.”

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“Most theater methodology is predicated on the idea of repeated actions. That's what you work toward. Having the actor repeat the same moment eight times a week. In a film, it's getting that one moment right.”

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“The really successful work in England tends to be working-class writers telling working-class stories. The film industry has been slow to wake up to that, for a variety of reasons. It still shocks me how few films are written or made in England about working-class life, given that those are the people who go to movies.”

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“The truth of the matter is, every film is imperfect. It's the nature of the beast. One of the things that people ask me all the time is, what's the difference between theater and film, and one of the biggest differences is, in the theater you always get another go.”

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“There are a few writers that one has a relationship with that means, basically, you do whatever they say. One is Caryl Churchill, and the other is David Hare.”

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“Well, there are three different processes of making a film, of course. They're sort of re-written three times. You write it to start with, and then you shoot it and you re-write it while shooting and you sort of re-write it as you edit.”

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