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Quote by Matthew Specktor

“The feature film business, the studio film business, feels to me like there's just nowhere else to go. It's like a record that's just skipping at the end, with the needle stuck in the run-out groove.”

Quote by Matthew Specktor

Author

Matthew Specktor

Matthew Specktor is an accomplished American novelist born on December 21, 1966. His works are known for their profound character development and unique narrative style, which have earned him a dedicated following. more

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“People will continue to make movies. But I do think the economic model of the studio movie is closing in on a kind of systemic collapse.”

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“100 million dollars used to be the limit of what a movie might cost; now they routinely cost 300 million. Sooner or later, spectacle is just going to have to find a new way to exist.”

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“A lot of talent, a lot of the currency that movies used to have, has spilled over into TV. People talk about TV the way they used to talk about movies and, as much as I hate to say it, the way they used to talk about books.”

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“Our need to identify with representative figures is something that never goes away. We still find those in novels. We find those in television. We find them in movies. We find them all over the place.”

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“My own sense is that fiction is inching its way over to join poetry on the cultural margin. It's an area of passionate concern for me, as for many people, but it's nowhere near as central to the culture as it used to be.”

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“I think being central to the culture is overrated. Who really gives a damn if something is popular? Jay-Z isn't actually any better than James Joyce even though more people understand him.”

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“Jay-Z isn't actually any better than James Joyce even though more people understand him. I'm more interested in what's meaningful within the lives of individuals. And fiction will always be central to the lives of certain people, which is all that matters.”

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Author:Matthew Specktor

“I think the publishing industry is dismayingly like the movie business. It grows more corporate by the day.”

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“It's hard to imagine there's a place for great writing inside a multinational conglomerate.”

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“I heard a story the other night about an editor who visited the Iowa Workshop and, when asked what sorts of books she published, replied, "Classic books." One of the students asked her, "You mean like Kafka?" Apparently she said, "Oh, I don't think I would publish Kafka."”

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