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Quote by Jonathan Safran Foer

Work

Extremely Loud and Incredibly Close: A Novel

This novel delves into the emotional journey of a young boy who grapples with his father's sudden death in the tragic events of September 11, 2001. Through his quest to understand the world and the legacy of his father, the story explores themes of grief, memory, and the human capacity to heal. more

Author

Jonathan Safran Foer
Jonathan Safran Foer

Jonathan Safran Foer is an American writer known for his unique narrative style and profound insights into social issues. His works often blend historical, literary, and philosophical elements, exploring themes such as family, memory, and identity. more

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“And I find myself saying, “It wasn’t really about her.” And finding it’s true. What do you mean?” Norah asks. It was about the feeling, you know? She caused it in me, but it wasn’t about her. It was about my reaction, what I wanted to feel and then convinced myself that I felt, because I wanted it that bad. That illusion. It was love because I created it as love.”

“You're dying right now. Right this minute.' He looked at his watch, said, 'Right this second,' then tapped it with his finger. 'See there? That second passed. It's gone. Not gonna come again. And while I'm talking to you, every second I'm talking, a second is passing. Gone. Count them up. Count them down. They're gone. Each one bringing you closer to your dying time.”

“That the speech of self-disclosure should be translatable seems to me very odd, but I am convinced that it is. The conclusion that I draw is that the only quality which all human being without exception possess is uniqueness: any characteristic, on the other hand, which one individual can be recognized as having in common with another, like red hair or the English language, implies the existence of other individual qualities which this classification excludes.”

“When people discuss his plays, he says that he feels like he's standing at customs watching an official ransack his luggage. He cheerfully declares responsibility for a play about two people, and suddenly the officer is finding all manner of exotic contraband like the nature of God and identity, and while he can't deny that they're there, he can't for the life of him remember putting them there. In the end, a play is not the product of an idea; an idea is the product of a play.”