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“Chloe's holiday story was dull, but its dullness was no longer a criterion of judgment. I'd ceased to consider it according to the secular logic of ordinary conversations. I was no longer concerned to locate within its syntax either intellectual insight or poetic truth. What mattered was not so much what she was saying , as the fact, she was saying it. And that I had decided to find perfection in everything she might choose to utter. I felt ready to follow her into every anecdote, I was ready to love every one of her jokes that had missed its punchline, every reflection that had lost its thread. (...) I felt ready to abandon self-absorption for the sake of total empathy, to follow Chloe into each of her possible selves, to catalog every one of her memories, to become a historian of her childhood, to learn of all her loves, fears and hatreds... everything that could possibly have played itself out within her mind and body had suddenly grown fascinating.” — Alain de Botton