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Quote by Orson Scott Card

Work

Shadow of the Giant

This novel delves into the life and impact of a giant figure, exploring the profound effects of their presence on society and the environment. more

Author

Orson Scott Card
Orson Scott Card

Orson Scott Card, born on August 24, 1951, is a renowned science fiction novelist from the United States. His works are known for their profound philosophical insights and rich imagination, with 'Ender's Game' series being particularly famous and influential in the science fiction genre. more

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“I had the foolish idea that we should test for desirable and useful traits so that we could assemble ideally balanced teams to the colonies. [...] It's like those foolish attempts to control immigration to America based on the traits that were deemed desirable, when in fact the only trait that defines Americans historically is "descended from somebody willing to give up everything to live there.”

“With Ghirlandaio and Fillipino Luppi dead, and Botticelli in a permanent state of depression, Raphael found an affluent audience starved for works of the highest quality. Florentine mercantile society fell in love with his potrayals of the Madonna and Child and the Holy Family-and with him, personally, for his gentle character. The provincialism of his master Perugino had heretofore kept Raphael’s genius under wraps. Leonardo taught him the power of unified, lucid compositions based on geometry, particularly the triangle and the circle. During Michelangelo’s absence, Raphael’s company was sought by everyone, including Michelangelo’s valued friends Taddeo Taddei and Agnolo Doni. In fact, he was such a frequent guest at Taddei’s home, where he would have had plenty of opportunities to study Michelangelo’s tondo, that Raphael gave his patron two paintings as thanks for his many kindnesses, and painted the Madonna deil Cardellino as a wedding gift for his friend Lorenzo Nasi, Taddei’s cousin. In 1505, the Carrera year, Raphael painted the portraits of Doni and his wife, Maddalena. The out-of-towner whom Michelangelo had dismissed as a mere nuisance had grown up.”