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Quote by Mark Bittman

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Mark Bittman
Mark Bittman

Mark Bittman is an American journalist renowned for his writing on cooking and food. His career began at The New York Times, where he served as a food columnist for many years. Bittman's work emphasizes healthy, sustainable, and ethical eating practices, and his books and articles have had a profound impact on global food culture. more

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“Often, very often, I am alone. My studio in Amsterdam, (Beckmann lived in the center of Amsterdam during World War 2.) an enormous old tobacco storeroom is again filled in my imagination with figures from the old days and from the new, like an ocean moved by storm and sun and always present in my thoughts. Then shapes become beings and seem comprehensible to me in the great void and uncertainty of the space which I call god.”

“I have never, God or whatever knows, prostrated myself to be famous, but I would meander through all the sewers of the world, through all degradations and humiliations, in order to paint. I have to do this. Until the last drop every vision that exists in my being must be purged; then it will be a pleasure for me to be rid of this damned torture”

“One thing is sure - we have to transform the three-dimensional world of objects into the two-dimensional world of the canvas.. ..To transform three into two dimensions is for me an experience full of magic in which I glimpse for a moment that fourth dimension which my whole being is seeking.”

“The individual representation of the object, treated sympathetically or antipathetically, is highly necessary and is an enrichment to the world in form. The elimination of the human relationship causes the vacuum which makes all of us suffer in various degrees - an individual alteration of the details of the object represented is necessary in order to display on the canvas the whole physicals reality.”

“Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter; I use it to enrich the canvas and to probe more deeply into the object. Colour also decided, to a certain extent, my spiritual outlook, but it is subordinated to life, and above all, to the treatment of form. Too much emphasis on colour at the expense of form and space would make a double manifestation of itself on the canvas, and this would verge on craft work.”