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Quote by Galcher Lustwerk

“I connect with techno way more than house. I find it frustrating people call me a house artist because I think my music in general is more in the tradition of techno. House is celebratory and extroverted. I don't connect with that sentiment.”

Quote by Galcher Lustwerk

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Galcher Lustwerk
Galcher Lustwerk

Galcher Lustwerk, an enigmatic artist whose identity and profession remain unknown. His life story and birth/death dates are not available. more

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“For me, the music that resonates the most is one with a vision. I think that's what separates artists from entertainers. There are a lot of DJs and producers that make entertaining tracks that are effective in the club. They may make you feel nostalgic, or they may make you feel happy, or anxious or whatever - that can be entertaining, useful, and functional but there could be no vision.”

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“It had also been my belief since I started writing fiction that science fiction is never really about the future. When science fiction is old, you can only read it as being pretty much about the moment in which it was written. But it seemed to me that the toolkit that science fiction had given me when I started working had become the toolkit of a kind of literary naturalism that could be applied to an inherently incredible present.”

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“I have always been intensely uncomfortable with the idea of a science fiction writer as prophet. Not that there haven't been science fiction writers who think of themselves as having some sort of prophetic role, but when I think of that, I always think of H.G. Wells - he would think of what was going to happen, and he would imagine how it would happen, and then he would create a fiction to illustrate the idea that he'd had. And no part of my process has ever resembled that at all.”

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“When I start writing a new imaginary future, I have no idea what it is. The characters arrive first. They help me figure out where they are living and I get to fill in the gaps with that and where we are. So when I get to the end of the process of composition, if I feel that I have really done my job, I have no idea what I've got - and I then spend essentially the rest of my life figuring out what it might mean.”

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“Twitter is the only brand of social media that I have ever taken to at all. I like the feeling of having my perception of the world expanded daily, 24/7, by being able to monitor the reactions of 100-and-some people throughout the world that I personally follow so I have some sense of who they are. There has never really been anything like that before, at least in terms of the digestible 140-character bandwidth that Twitter is based on. I am able to wake up, open Twitter, and sort of glance across the psychic state of the planet.”

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“Magazines in the traditional sense were aggregators of novelty. A good magazine was a lot of novelty, stuff you've never heard of before, clearly aggregated by people who have been able to travel further and dig deeper than you have been able to do. And that used to be really an important source of stuff for me. And now it is less important because the Internet has eaten it all up. But my Twitter feed as an aggregator of novelty is like... I don't know what I would do if it became any more powerful, I would have to start reining it in somehow.”

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“One of the things I have taken for granted, in terms of how technology works in the world, is the people that develop it and get it out there don't really know what we are going to do with until we have really gotten ahold of it and it has become ubiquitous. And then we wind up doing things that its inventors never dreamed of and those things become the real change drivers. That is actually where the whole technocracy thing falls apart for me, because the people who invented it can't predict what we're going to do with it.”

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