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Quote by George Eliot

“Lydgate certainly had good reason to reflect on the service his practice did him in counteracting his personal cares. He had no longer free energy enough for spontaneous research and speculative thinking, but by the bedside of patients, the direct external calls on his judgment and sympathies brought the added impulse needed to draw him out of himself. It was not simply that beneficent harness of routine which enables silly men to live respectably and unhappy men to live calmly — it was a perpetual claim on the immediate fresh application of thought, and on the consideration of another’s need and trial.”

Quote by George Eliot

Book:Middlemarch a Study in Provincial Life, Vol. 2
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Middlemarch a Study in Provincial Life, Vol. 2

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Author

George Eliot
George Eliot

George Eliot, born Mary Ann Evans, was a renowned 19th-century British novelist. Her works are known for their profound psychological insights and critical exploration of social issues. With her unique narrative techniques and rich emotional expression, she has had a profound impact on literature. more

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“It was said of him, that Lydgate could do anything he liked, but he had certainly not yet liked to do anything remarkable. He was a vigorous animal with a ready understanding, but no spark had yet kindled in him an intellectual passion; knowledge seemed to him a very superficial affair, easily mastered: judging from the conversation of his elders, he had apparently got already more than was necessary for mature life.”

IntelligenceIntellectGiftedAcademiaMiddlemarchWitsLydgate
Book:Middlemarch
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“[Henry James'] essay's closing lines can either be read neutrally or as a more purposeful wish that this mystery [of Shakespeare's authorship] will one day be resolved by the 'criticism of the future': 'The figured tapestry, the long arras that hides him, is always there ... May it not then be but a question, for the fullness of time, of the finer weapon, the sharper point, the stronger arm, the more extended lunge?' Is Shakespeare hinting here that one day critics will hit upon another, more suitable candidate, identify the individual in whom the man and artist converge and are 'one'? If so, his choice of metaphor - recalling Hamlet's lunge at the arras in the closet scene - is fortunate. Could James have forgotten that the sharp point of Hamlet's weapon finds the wrong man?”

AuthorshipHenry JamesShakespeare Criticism
Book:Contested Will: Who Wrote Shakespeare?
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