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Quote by Jacques Rigaut

Work

Lord Patchogue & Other Texts

This book is a compilation of various narratives, including tales and other written works that revolve around the central figure of Lord Patchogue. The collection may encompass a range of genres and styles, showcasing the versatility of the character across different literary forms. more

Author

Jacques Rigaut
Jacques Rigaut

Jacques Rigaut was a French poet born on December 30, 1898, and died on November 9, 1929. His poetry is known for its unique style and profound emotion, and is considered one of the representatives of French Symbolist literature. more

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“From space, astronauts can see people making love as a tiny speck of light. Not light, exactly, but a glow that could be confused for light - a coital radiance that takes generations to pour like honey through the darkness to the astronaut's eyes. In about one and a half centuries - after the lovers who made the glow will have long since been laid permanently on their backs - the metropolitan cities will be seen from space. They will glow all year. Smaller cities will also be seen, but with great difficulty. Towns will be virtually impossible to spot. Individual couples invisible.”

“In fact I don't think of literature, or music, or any art form as having a nationality. Where you're born is simply an accident of fate. I don't see why I shouldn't be more interested in say, Dickens, than in an author from Barcelona simply because I wasn't born in the UK. I do not have an ethno-centric view of things, much less of literature. Books hold no passports. There's only one true literary tradition: the human.”

“Of course I know that the twins are only words on a page, and I'm certainly not the sort of writer who talks to his characters or harbours any illusions about the creative process. But at the same time, I think it's juvenile and arrogant when literary writers compulsively remind their readers that the characters aren't real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative.”