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“The music was intended to replicate or even enhance the mind-altering experiences of the psychedelic drugs. They were using electric guitars, wah-wah pedals, loop music to create ostinato patterns, electric organs, synthesizers (nobody even had any idea what that was at the time, but it was cool to throw it into a conversation), electro-mechanical polyphonic tape replay keyboards, fuzz box effects, backward tapes, you name it. Anything went”

Quote by Karl Wiggins

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Wrong Planet - Searching for your Tribe

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Karl Wiggins

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“Psychedelic experience seems to temporarily crack open a kind of new critical window; a window of opportunity with with great neuroplastic potential, with an enriched interpretation of the world in terms of personal relevance, amplified analogical thinking, and a wider web of semantic association; one that not only reveals the elemental foundations of thought and perception to the conscious mind, but invites it to participate, orient toward significance, integrate a variety of personally relevant information, and produce insightful experiences and emotional breakthroughs that can mark the beginning of a process of re-orienting priorities, attention, attitudes, and behavior. A change in the mobilization, distribution, and utilization of limited energetic resources by the serotonin system, in other words; an opportunity for the master homeostatic regulator to integrate all the various pertinent variables, re-orient and re-align the self, body, and outside world.”

“There’s a swirling, weaving gridwork of light-patterns everywhere and all around. I can hear someone making choking and retching noises. RD was experiencing the vomit of the world’s suffering, but was not suffering himself, as he later told us. At first I can’t do anything – there is no “I” and nobody else. Then I notice that I’m being moved towards the sound, to reach out with my hand, to touch, to help, to give comfort. “I” didn’t decide to do this, it just happened, sort of like an amoeba oozing over toward the source of apparent distress signals. My voice appeared to be making soothing sounds while my hands appeared to be making touching, stroking gestures. Awareness then arose of the other individual, this particular man, RD. Only after that awareness, came the realization that “I” was doing this gesture, this movement (RM).”

“No one can claim their particular vision of the divine as correct, if there are thousands of other 'visions' with which to compare it. And anyone who does try to claim the spotlight? Even a few decades ago, they could have started a cult. These days, they'll just get trolled online, then ignored.”

“There was a feeling of being in the nucleus of the psyche. Awareness of “all and everything” and simultaneously, “This is IT.” The Vedantists say at the highest level of consciousness there is only being (sat), consciousness (chit) and blissful joy (ananda). In my experience there was no self, no body, no time or space, but there was being. There was also consciousness: I could remember everything afterwards. Even though “I” wasn’t there, there was observation and recording going on. And there was certainly bliss, joy, ecstasy unimaginable. I had the sense of being at an exact balancing edge between an internalizing and externalizing movement. I could let go, sinking deep within, falling and opening to a vast inner spaciousness, or I could let the energy come out and express through body movement and voice (RM).”

“I find myself on my knees, my body is being moved in incredibly smooth, fluid dancing motions, not by me, but by a spiritual Presence within me that feels totally other, unknown, not-me. Yet I don’t feel any fear or resistance, just awe, as I willingly give over my form to be used by what seems to be a deity. I’m feeling my arms moving, and yet I’m not moving them. The presence feels now male, now female, now androgynous, now serpentine. Shiva, Shakti, Kundalini. The awareness emanating form this Shakti-being is all-embracing, all-encompassing of all of me, my body, and the environment. I remember experiencing what it felt like to be the floor that my body was resting on, the land that the house was on, the planet Earth that the land is on, the cosmos that the Earth is in…(RM).”

“Multi-colored lines of light formed a kind of dome covered in a faceted geometric network of jewels, the whole dome spinning silently. The jewelled dome seemed to become a kind of lens, through which I could see into other worlds beyond, where the points of light were stars and galaxies. At first there were tiny scintillating sparks of light against a velvety blackness. They merge to become a brilliantly colored, weaving, flowing tapestry of geometric forms, extending infinitely in all directions. Then this kaleidoscopic field of patterns dissolved my body into it, so that I don’t see it anymore – I have become part of it (RM).”

“The weaving, waving field of geometric shapes and lines folds and falls over me, or I fall into it. I am seeing small spherical globules of white light, like pearls, that are glistening, shining moist, and perfectly aligned and interconnected in complex three-dimensional webs, reminiscent of Buckminster Fuller’s dymaxion structures, yet always changing, unfolding and enfolding. These webs are what constitutes my body, clustering in certain areas to make organs like my eyes. They also constitute all other bodies and forms around me. Each individual is a kind of cluster in this infinite ever-changing molecular web. Each thought or feeling or experience is also a local cluster in this holographic matrix of all possibilities. A sun of pure white light radiates out from the center of the swirling, pearl-studded crystalline grid. It is too intensely bright for me to maintain the focus of attention, so gradually I lose awareness of it and emerge back out of the infinite oneness back into my body-form (RM).”