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The Life and Writings of Sir Joshua Reynolds: First President of the Royal Academy

The Life and Writings of Sir Joshua Reynolds delves into the life of the influential artist, covering his early years, artistic development, and significant works. It also examines his role in establishing the Royal Academy of Arts and his influence on the British art community during his time. more

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Joshua Reynolds
Joshua Reynolds

Joshua Reynolds was an influential English painter, recognized for his portraits and landscapes. Born on July 16, 1723, and passing away on February 23, 1792, Reynolds played a significant role in the development of the English portrait school and is often considered the first president of the Royal Academy of Arts. more

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“No art can be grafted with success on another art. For though they all profess the same origin, and to proceed from the same stock, yet each has its own peculiar modes both of imitating nature and of deviating from it... The deviation, more especially, will not bear transplantation to another soil.”

“If deceiving the eye were the only business of the art... the minute painter would be more apt to succeed. But it is not the eye, it is the mind which the painter of genius desires to address.”

“Those who are not conversant in works of art are often surprised at the high value set by connoisseurs on drawings which appear careless, and in every respect unfinished; but they are truly valuable... they give the idea of a whole.”

“The true test of all the arts is not solely whether the production is a true copy of nature, but whether it answers the end of art, which is to produce a pleasing effect upon the mind.”

“Our Exhibitions [The Royal Academy] have... a mischievous tendency, by seducing the Painter to an ambition of pleasing indiscriminately the mixed multitude of people who resort to them.”

“From a slight, undetermined drawing, where the ideas of the composition and character are just touched upon, the imagination supplies more than the painter himself, probably, could produce. And we accordingly often find that the finished work disappoints the expectation that was raised from the sketch.”