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Quote by Yaron Matras

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I Met Lucky People: The Story of the Romani Gypsies

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Yaron Matras

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“Music is like spoken language, inextricable from its culture. If you don't learn a language early in life, its words will forever come out wrinkled and accented by another world, no matter how well you memorize or love the vocabulary, grammar, and cadences of a new language. This is why foreign "belly dancers" have always bothered me. The use of our music as a prop to wiggle and shimmy and jump around offends me. Eastern music is the soundtrack of me..”

CultureCultural Appropriation
Book:Against the Loveless World
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“As a practitioner of Witchcraft, my drive is to learn as much magic as I can from whatever sources resonate with me. In those instances in which a practice, symbol, or deity speaks to me and demands my devotion, I make a commitment to honor the cultures from which they originated by pledging to study their histories, to listen to the voices of those who identify as part of those cultures, and, where possible, to support the living people who belong to that cultural group.”

WitchcraftCultural Appropriation
Book:Betwixt & Between: Exploring the Faery Tradition of Witchcraft
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“In college I was an editorial cartoonist for my school paper, The Daily Aztec...I did straight, news-oriented editorial cartoons. Occasionally, my Chicano background snuck in to the toons simply because I might do a César Chavez toon about how the School Student Board was too stupidly racist to allow him to speak on campus or other anti-frat toons on how they were so racist in doing fund-raisers for Tijuana kid charities--dressed in sombreros and begging with tin cups (from an interview in the book Attitude, 2002)”

RacismLatinoCartoonistCultural AppropriationLatinxPolitical CartoonsCesar ChavezFraternitiesSan Diego State University
Author:Lalo Alcaraz
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“Do you know what surprised me most when I came to this country? The way witches are glorified. People here dress up as us for Halloween. They fill their TV shows and social media profiles with our aesthetics. It's like they've forgotten that, for most of human history, witches were something to mutilate, not emulate. Women who were seen as outcasts—too queer, too brown, too unwell...Any one of us on the margins was a target. To me, a pointy hat and a broomstick are not a cute costume; they are a reminder that, for centuries, people were brutalized under the mere assumption they might be what we actually are.”

WitchesHuman HistoryCultural Appropriation
Book:Serwa Boateng's Guide to Witchcraft and Mayhem
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“Virtually every fact used in business, political life and every day human relations is derived from other 'facts' or assumptions that have been shaped, deliberately or not, by the preexisting power structure. Every fact thus has a power history and what may be called a power future.”

Knowledge Is PowerCultural AppropriationDecolonisation
Book:Powershift: Knowledge, Wealth, and Power at the Edge of the 21st Century
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“Gandhi today is up for grabs. He has become abstract. ahistorical, postmodern, no longer a man in and of his time but a free-floating concept, a part of the available stock of cultural symbols, an image that can be borrowed, used, distorted, reinvented, to fit many different purposes, and to the devil with historicity or truth. Richard Attenborough's Gandhi stuck me, when it was first released, as an example of this type of unhistorical Western saint-making. Here was Gandhi-as-guru, purveying the fashionable product, the Wisdom of the East, and Gandhi-as-Christ, dying and frequently going on hunger strike) so that others may live.”

Cultural AppropriationMyth Making
Book:Step Across This Line: Collected Nonfiction 1992-2002
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