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Quote by Mahan Esfahani

“Well, within a phrase. And with a series of phrases, you can certainly create the effect of diminuendo and crescendo, no question.”

Quote by Mahan Esfahani

Author

Mahan Esfahani
Mahan Esfahani

Mahan Esfahani, born in 1984, is an individual whose profession and category are unknown. Specific details about his life experience and achievements are not available. more

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“One of the tracks that I have is Carl Philipp Emanuel Bach - by the way, that's Bach's second son - Emanuel Bach's variations on "Le Folie." You'll definitely hear - I mean, I think if we listen to, say, the last couple of minutes of that track, there's a wide range of colors that the harpsichord is capable of. And I think, you know, that gives lie to the assumption that it doesn't have that kind of variety. And I think it very much speaks for itself.”

“I think, you know, for someone who does play, let's say, old music or, you know, Baroque music or Renaissance music - and you know, and I do play a lot of that, obviously - engaging with new composers, engaging with young composers, is really exciting because it makes me look at people of the past in a very different way that they are also living, that there was a lot of subjectivity in the decisions that they were making.”

“Bach, of course, was my first love. He still is. I mean, he's the man of my life, that's for sure. And when I say that there's been a re-evaluation, look, to be perfectly honest, I think I have a re-evaluation of my relationship with Bach probably every day, and that will never stop. And that's probably why I still get up in the morning and I do this.”

“There's no doubt that Boko Haram has been driven from many of its strongholds in northeastern Nigeria. Now, President Muhammadu Buhari says technically, we have won the war. Those in the know say but technically, the army is still losing the battle because Boko Haram has changed tactics. Instead of now holding territory as it used to and calling this territory its own, now it is resorting to guerrilla tactics, hit-and-run raids and especially suicide bombings.”

“And we are understanding - we're beginning to understand that the Nigerian military is now better on. And also, probably even more importantly, Michel, morale is higher amongst the military. I mean, you had Nigerian soldiers being accused of cowardice, running away from Boko Haram and not having the will to fight.”

“I really took it in-house. The Constantine character has a kind of flesh-and-blood practical look at things that would seem, other people would use the word, occult or spiritual. But here, demons are real. So for me it was more taking it from the film itself. I didn't really need to go outside the piece itself to inform me because the perspective on it, what the character does, was provided by the script.”

“Sometimes, with the scale of a film, it's like when I walked on the sets of "The Matrix," especially in "Reloaded," there was the city square, or in "Revolutions" with some of the machine world, you're like, "Wow, this is a big playground," which is fun to watch. But the acting experience and the collaborating and creating the world, working on the piece, they're the same joys.”

“It carried quite a wallop. I have all the classic symptoms. Reflection. Where am I now? Where have I come from? What's important? Dealing with the moment of a different kind of feeling for mortality. Shifting of the body. Contextualizing or reevaluating behaviors and values. All those kinds of things.”