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Quote by Anne Sewitsky

“I don't know if it's a misconception, but I often get asked why I always make stories about family and love. Over the years, I´ve also directed commercials, a children's film, and TV - dramas (both comedic and darker), because I always feel the urge to go in a different direction with my next project.”

Quote by Anne Sewitsky

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Anne Sewitsky
Anne Sewitsky

Anne Sewitsky, born on January 12, 1978, is a renowned figure in the field of [Occupation/Category]. Her life story and achievements are not widely documented, but her impact in [Impact Evaluation] is undeniable. more

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“I challenged myself to write/direct a romantic comedy. People trash talk the rom com, but it's one of the oldest cinematic genres, with stellar origins like Twentieth Century and Trouble in Paradise. I think as audiences lost their innocence, the genre lost its suspense. To create suspense, you need obstacles, so I gave my couple an obstacle that very few people ever overcome: their own behavior and their past.”

“From the writing stage, I had envisioned a film that would be bright and light, even if the movie addresses adolescent unrest and self-destructive behavior. Talking about adolescence, I wanted to make a very musical film that was also a love story with a sensorial, sensual dimension and which had a strong emotional impact.”

“The biggest misconception may be about my birth country, Lithuania, due to the lack of knowledge about it, but also probably because some strong lobbies work against European construction. There is a huge difference between what I hear from the French media, for example, and what I know about this country and its people.”

“About my work, my first film, Écoute le Temps (Fissures), was positioned by distributors as a thriller because they thought that it would sell more easily. But it was surely a mistake, as that kind of viewer did not take the bait, and it drew away its potential core audience, those whom I met in festivals and in various Q&As who seem to appreciate that particular kind of cross-over arthouse film.”