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“Truth is ugliness, not beauty. If the artist is to redeem the whole of reality, whether as naturalistic novelist or demonic post Baudelairean poet, he must undergo what Yeats calls the baptism of the gutter, refusing orthodox moral distinctions so as to become imaginatively at one with the slime and refuse of human existence. Only in this way will he be able to gather the excremental into the eternal. It is an aesthetic version of crucifixion and resurrection, one which invests the poet with a certain aura of sanctity. Yet he is also sacred in the ancient sense of being both blessed and cursed. To live by imaginative empathy is to be bereft of a self; to be without a self is to exist as a kind of nothingness; and nothingness is unnervingly close to evil.” — Terry Eagleton