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Topics of Conversation

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Miranda Popkey

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“Of course there's a reason this fantasy belongs to childhood. Starting over is difficult and painful and the past isn't dead and buried it isn't even, etc. And the fact is that starting over becomes more so—difficult and painful I mean—the older one gets, for the older one gets the more numerous the ties to life one wishes to leave behind, the more ties therefore to cut. The more ties therefore, later, if one is possessed of what is sometimes called a weak ego and what is sometimes called a conscience, to mend. What I mean is I'd waited too long.”

Topics Of ConversationMiranda Popkey
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“In the moments after she spoke I remember thinking that if she was in some way correct she was, however, not right. That of course life is random, a series of coincidences, etc., but that to live you must attempt to make sense of it, and that's what narrative's for. I believe this, people of a certain sensibility believe this. Mostly it's harmless. Though perhaps sometimes you find yourself doing things because you think the narrative arc calls for it, or because you've grown bored with your own plot, things you shouldn't do because they will, these things, hurt the other characters in your story, who are not characters after all, but people. But then people do evil often and with less elaborate justifications.”

Topics Of ConversationMiranda Popkey
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“Am I, just now, more interested in appearing openly louche (look at me lapping at luxury) or secretly wounded? How close to the surface is my pain? Or, rather, how close to the surface do I want my pain to appear to be? How enamored am I of the clichés of female pain? Or, rather, of which of these clichés am I enamored? Do I wish to make my distress visible and, therefore, hysterical? Or do I wish to suffer in silence?”

Topics Of ConversationMiranda Popkey
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