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Quote by Kurt Vonnegut

“God grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom always to tell the difference.' Among the things Billy Pilgrim could not change were the past, the present, and the future.”

Quote by Kurt Vonnegut

Book:SLAUGHTERHOUSE-FIVE
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Work

SLAUGHTERHOUSE-FIVE

Kurt Vonnegut's Slaughterhouse-Five is a satirical and philosophical novel that combines elements of science fiction with the author's own experiences as a prisoner of war during the Allied bombing of Dresden. The narrative is non-linear and employs a time-traveling protagonist, Billy Pilgrim, who is haunted by his past and the events of the war. The book is known for its dark humor and its exploration of themes such as the absurdity of war, the nature of time, and the human condition. more

Author

Kurt Vonnegut
Kurt Vonnegut

Kurt Vonnegut was an American writer known for his unique humor and profound satire. His works often explore themes of war, humanity, society, and politics. His most famous works include 'Slaughterhouse-Five' and 'Cat's Cradle'. His writing style has been widely appreciated by readers and has had a profound impact on literature. more

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“You’re . . .” I search for the right word. It’s rare that my vocabulary fails me like this. “Organized.” His eyes crackle with light as he laughs. “Organized?” “Extremely,” I deadpan. “Not to mention thorough.” “You make me sound like a contract,” he says, amused. “And you know how I feel about a good contract,” I say. His smirk pulls higher. “Actually, I only know how you feel about a bad one, written on a damp napkin.” He lies back fully on the mattress, and I do too, leaving a healthy gap between us. “A good contract is . . .” I think for a moment. “Adorable?” Charlie supplies, teasing. “No.” “Comely?” “At bare minimum,” I say. “Charming?” “Sexy as hell,” I reply. “Irresistible. It’s a list of great traits and working compromises that watch out for all parties involved. It’s . . . satisfying, even when it’s not what you expected, because you work for it. You go back and forth until every detail is just how it needs to be.”

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“A minute later, he adds, you okay? Like even from separate rooms, with multiple screens between us, he is reading my mood. The thought sends a strange hollow ache out through my limbs. Something like loneliness. Something like Ebenezer Scrooge watching his nephew Fred’s Christmas party through the frosty window. An outsideness made all the more stark by the revelation of insideness. All I really want is to go perch on the edge of Charlie’s desk and tell him everything, make him laugh, let him make me laugh until nothing feels quite so pressing.”

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“He moves a stack of hardcovers off the sofa, then crosses the room to take the chair behind the desk. His expression seems to tease, See? I’m perfectly harmless over here. Except nothing about him looks harmless to me. He looks like a Swiss Army knife. A man with six different means to undo me. This Charlie, for making you spill your secrets. This one for making you laugh. This one can turn you on. This is the one who will convince you you’re capable of anything. Here is the Charlie who will pull you into his lap to form your human barricade at a hospital. And the one with the power to take you apart brick by brick.”

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“Birth control?” he asks. “Obviously, but—” “Got it,” he says. Of course he does. He’s just like me: even when we’re both out-of-control obsessed with each other there are still a few (dozen) threads holding reason in place. Charlie moves off me, finds his wallet, and comes back with a condom, no further questions asked, no huffing, no hint at frustration, no implied uptight, nag, or bore. He tucks his hand against my jaw and kisses me with a tenderness I feel all through my body, all these little pockets of warmth nestled between bones and muscle and cartilage: Charlie, diffused into my bloodstream”

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“Careful, Charlie,” I say. “That sounds like jealousy.” “It’s relief,” he says. “I expected you to show up here today in Daisy Dukes and pigtails, maybe a Ford tattoo on your tailbone.” I slide my forearms onto the desk and lean forward in such a way that I really might as well have brought a silver platter out and presented my cleavage to him that way. The lack of sleep is really getting to me. I feel haunted by him, and I’m determined to haunt him right back. “I would be”—I drop my voice—“adorable in Daisy Dukes and pigtails.” His eyes snap back to my face, flashing; his mouth twitches through that grimacing pout, a pair as reliable as thunder and lightning. “Not the word I’d use.” Awareness sizzles down my backbone. I lean closer. “Charming?” His eyes stay on my face. “Not that either.” “Sweet,” I say. “No.” “Comely?” I guess. “Comely? What year is it, Stephens?” “A real girl next door,” I parry. He snorts. “Whose door?” I straighten. “It’ll come to me.” “I doubt it,” he says under his breath.”

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“It needs to be in person.” I can’t take this tension between us anymore. Avoiding him is only making this worse, and I hate feeling like I’m hiding. With Libby, the way to get to the heart of things might be a slow, cautious obstacle course, but this is Charlie, and Charlie’s like me. We need to bulldoze through the awkwardness. I miss him. His teasing, his challenges, his competitiveness, his care for my overpriced shoes, his smell, and— Shit, I didn’t expect the list to be so long. I’m in deeper than I realized.”

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“And to be clear,” I get out, “you’re okay with the fact that we’re working together?” He kisses along my collarbone, his voice all gravel. “We both know you won’t go easier on me for it.” “And what about you?” It’s completely absurd that I’m keeping up the charade of having a totally normal conversation while my palms are flattening on the table behind me and my body is lifting unsubtly, making it easier for his mouth to brush under the collar of my shirt. “I have no interest in going easy on you, Nora,” he says.”

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